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“Edge of Tomorrow” – Sacrifice, Brutality, and Choice

edge-tomLive. Die. Repeat.

I had the chance to watch “Edge of Tomorrow” this past weekend and I was surprised by how much I enjoyed the film. It was fantastic. Here, I’ll discuss several themes found in the movie from a worldview perspective. There will be SPOILERS in what follows. I will not summarize the plot, but a summary may be found here.

Choice

Major William Cage (Tom Cruise was brilliantly cast for this role) is presented with a number of choices throughout the film, and it becomes clear that he is not a typical save-the-world type of hero. He is flawed, he has passions, he loses hope. But throughout these aspects of the film, we find the notion of choice. Will Cage has been given an extraordinary opportunity to impact the entire human race. When his blood is mingled with that of an Alpha, his death sets off the “Omega” which resets the day. Over and over again, Cage is faced with a choice: what do I do with this day?

He finds Sergeant Rita Vrataski, who is one of the only people who also realizes what’s happening, though she herself doesn’t remember the days. The question, again, is what do I do with this day? Cage’s character is forced to consider that he has the ability to possibly save all of humanity. In such a situation, what choice does he have? But he does make some choices: he chooses to try to save Rita, to save others. But at other times, he gives in to frustration, allowing members of his squad to die despite being able to prevent it. Cage is not a knight in shining armor, but he confronts us with a human thrown into an impossible situation with the highest possible stakes.

Placing the concept of choice against such a backdrop makes for good drama, but it also begs the question: what are you doing with your day? From a Christian perspective, the choices we make are extremely important–we are called to be witnesses, lights to the world–but do our choices each day reflect that? Do we, like Cage, sometimes allow injustices despite having to put forth just a little extra effort? How do our choices impact our life in Christ? The movie demands that we answer questions like these.

Sacrifice

Cage is also confronted with a kind of self-sacrifice. By admitting he is what he is, he must go through a cycle in which he dies continually, in often brutal ways, in order to try to improve, to save humanity. It is sacrifice, but a sacrifice knowing that he will be back the next day. One must ask, I think, whether that actually diminishes the sacrifice. I don’t think it does. Cage must steel himself each day knowing that death will come again, and again, and again. The only way to prevent it is to save all of humanity by destroying the Omega. Though, in the end, Cage ultimately does give up his life for humanity, only to be brought back by having his blood mingled with that of the Omega. One is left wondering whether he will retain the power or not.

The self-sacrifice of Cage (and Rita) for the sake of humanity is clearly a theme which resonates with the central Christian teaching of Jesus Christ as crucified and resurrected Lord. However, beyond the obvious parallels of giving up life for the sake of all (and subsequent resurrection/awakening), the sacrifice of going in knowing one is to die is something that resonates with the story of Christ. I have sometimes seen a challenge issued theologically to the Christian teaching saying Jesus didn’t really sacrifice himself if he knew he was going to be risen by God. But of course that hardly destroys the notion of self-sacrifice and the real price paid of death. Being risen does not destroy the sacrifice of death.

Brutality

Live. Die. Repeat.

The theme is echoed throughout the film. It may cause one to wonder about the brutality of such a story and its appropriateness, but I think that from a Christian perspective one has to incorporate the rest of the themes found in the movie. The brutality of the cross is itself something from which people shy away, but set against the backdrop of salvation, brutality can become sanctified.

Community/Individual

I have not read the manga that “Edge of Tomorrow” was based on, “All You Need is Kill,” but I have heard that there is some juxtaposition over the primacy of the community vs. individual in either. “Edge of Tomorrow” shows this kind of valuation in many ways throughout the film. First, there is Cage’s continued efforts to save Rita, despite what it might cost–including going on one part of the mission alone in order to prevent her death. Second, there is the concept of both Cage and Rita valuing the community of humanity over the self by willingly spending all the time they have left trying to defend humanity rather than find a way to survive themselves. Finally, both Cage and Rita choose to place the community over the self when rather than trying to save one or the other, they both do what needs to be done and give themselves to save humanity.

For Christians, themes of community and individual are extremely important. It is easy in the Western mindset to become obsessed with the self, but a true community of individuals exists in the body of Christ–each as important as the next. How do we go about living our lives in light of this truth?

Conclusion

There are many other themes to be explored from “Edge of Tomorrow”- what of the Alpha/Omega? What happens to Cage and Rita after the end of the film? Were there any efforts to try to make peace or reach out to the “Mimics”–the aliens that they fight against throughout the movie? These are important themes, and I’d love to get discussion of those started in the comments. For now, it should be clear that the film has many themes to reflect upon and it is well-worth seeing. What did you think of the movie? What other themes have you thought of in relation to it? Let’s get your thoughts in the comments below!

Links

Be sure to check out the page for this site on Facebook and Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies and more!

All You Need Is Kill/Edge of Tomorrow- “Edge of Tomorrow” is based upon this graphic novel. Check out Anthony Weber’s excellent review and critique of the graphic novel from a Christian perspective. I really recommend you follow his blog as well. It’s in my top five must-read blogs, and it is worth your time to browse at length.

Movies- Read other posts I have written on the movies. Scroll down to see more!

The image is a movie poster for the film and I use it under fair use.

SDG.

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The preceding post is the property of J.W. Wartick (apart from quotations, which are the property of their respective owners, and works of art as credited; images are often freely available to the public and J.W. Wartick makes no claims of owning rights to the images unless he makes that explicit) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy.

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Book Review: “Hollywood Worldviews” by Brian Godawa

hw-godawaI often say that every movie has a worldview. The same is true for any story. Brian Godawa’s book, Hollywood Worldviews: Watching Films with Wisdom & Discernment, takes just such an approach to movies: what do films teach us? How might we critically evaluate movies?

First, Godawa introduces the concepts of a “cultural glutton” as opposed to a “cultural anorexic.” The point is that Christians are to be in the world not of it. It is one thing to say that violence in a movie is bad; but what of the context of the violence? The Bible also has many scenes which, if filmed, could even rate NC-17. The question is: what’s the point? When looking at film, Christians should look into the way the narrative shapes what happens in the movies.

In order to look into this theme, Christians must be equipped to seek out the context of stories as well as the explicit (and implicit) things they teach. In order to equip people to watch film critically, Godawa approaches this task is divided among several chapters by topics related to film and worldview. Each chapter begins with a summary of the topic of the chapter and how one might discover this theme in film. For example, in the chapter on “Postmodernism,” he begins with a definition and explanation of the concept. Then, he utilizes a slew of examples from various movies to show how postmodernism is found in them in either positive or negative light.

The chapters all cover interesting topics, and Godawa’s use of specific examples from movies are fantastic case studies for showing how critical engagement with worldviews can play out. Even better, Godawa’s explanations and applications could easily be used to apply outside of film and in areas like literature. Frankly, some of Godawa’s evaluation of popular films–including some I’ve enjoyed greatly–have forced me to rethink how I thought of the storyline. Movies which may appear to be fairly neutral or simply entertainment alone do indeed have their own way of approaching reality. Some of the movies which were brought to new light for me included “Gladiator,” “The Truman Show,” and “Groundhog Day.” Dozens of movies are treated throughout this book, and Godawa’s analysis is always interesting and thought provoking, encouraging the critical engagement he seeks.

Another great aspect of the book are the activities Godawa proposes for each chapter to apply what one has learned. These are frequently interesting and provide ways forward to put into practice the art of discernment when it comes to watching film.

One difficulty with a book like this is there is some necessary oversimplification. For example, Godawa, in his discussion of existentialism, writes: “Existentialism accepts the Enlightenment notion of an eternally existing materialistic universe with no underlying meaning or purpose” (95). Oddly, Godawa seems to downplay Kierkegaard’s very explicit Christian faith in light of his existential views, and Kierkegaard seems to become a kind of pariah through this analysis. Kierkegaard, for Godawa, is strangely aberrant from his general picture of existentialism as necessarily godless and without purpose.

At other points, films receive short shrift are are discussed in ways which seem a bit odd. Of course, engagement with these points actually encourages the sort of critical interaction Godawa is pursuing. Some offhand comments are a bit awkward and out of place (for example the bare assertion that “men are the leaders in home and public roles” in Christianity without qualification–in contrast with the declared equality of genders in Galatians 3:28 and the apostleship of a woman in Romans 16:7), but overall these negative points are outweighed by the service Godawa has done to provide critical perspective on worldviews in film.

Hollywood Worldviews is a great book which will encourage much discussion. It would serve as a good resource for those who wish to meaningfully engage the culture. People who read it will be equipped to have thoughtful conversations on the way movies put forth worldviews. The book should come with a warning, though, some of your favorite movies may not be what they seem!

Links

Be sure to check out the page for this site on Facebook and Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies and more!

Engaging Culture: A brief guide for movies- I outline my approach to evaluating movies from a worldview perspective.

I have a number of ways in which I have critically engaged with culture in movies, books, and other arts in my posts on current events (scroll down for more posts).

Source

Brian Godawa, Hollywood Worldviews: Watching Films with Wisdom & Discernment 2nd Edition (Downers Grove, IL: InterVarsity Press, 2009).

SDG.

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The preceding post is the property of J.W. Wartick (apart from quotations, which are the property of their respective owners, and works of art as credited; images are often freely available to the public and J.W. Wartick makes no claims of owning rights to the images unless he makes that explicit) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy.

Intelligent Design in Fiction – Ben Bova’s “New Earth” and Intelligent Design

bb-neBen Bova is a six time winner of the Hugo Award. His books hit best seller lists, and he is acknowledged as one of the all-time masters of science fiction. I’ve already explored several themes found in one of his latest books, New Earth. Here, we will look at how one might view the book as a fictionalization of the way to discover intelligent design in unexpected places. I should note that I am highly doubtful that Bova intended the book to be viewed through this lens, which makes the discovery of such a possible theme more surprising. There will be SPOILERS in what follows.

Expectations

When a team from Earth discovered the planet they dubbed “New Earth,” it defied explanation. Between a pair of stars, one of which went nova in the relatively recent past, the timing was off for such a planet to exist. The strangeness of the planet only increased when life was discovered on its surface. Finally, when intelligent life in fairly similar form to humans greet the human visitors in English, the astonishment of the explorers is complete.

But of course that’s not all that is strange about the planet. Under the surface it is actually hollow, with metal mantle that contains a gravity generator. Each of these aspects ultimately leads to the inescapable conclusion: the planet was designed for life, specifically life like that of Earth. The revelation comes from a Precursor–an ancient, sentient machine–the planet was designed to lure humans into first contact so a message of coming destruction could be delivered. The planet and the life on it were indeed designed with purpose. The eeriness of the situation is, in fact, telling.

Finding Design

In New Earth, when things show up with unexpected parameters or where they “should not be,” it is reason for further scientific exploration. Ultimately, this exploration yields the conclusion of design. I must emphasis this aspect of the book: design is not a hypothesis excluded at the outset. Instead, it is the logical outcome of putting the disparate pieces of evidence–unexpected location, age, life, types and forms of life, breathable atmosphere, hollow planet, etc.–together.

Put this in perspective: today one of the major critiques against the notion of “intelligent design” in the origins of life, its diversity, or our universe is that, essentially, one must have an a priori commitment to reject such intelligent causes as some kind of primitive magical reality in which people believe anything. However, in New Earth, epistemic openness to the possibility of design leads to real scientific discovery… of design.

I can’t help but think there is something informative here. The notion that scientific hypotheses must, by definition, exclude design not only would–if consistently practiced–remove any notion of agent causation from any situation (such as a human doing something), but could also hamper actual discovery. Methodological naturalism–the notion that science must operate in such a way as to exclude the possibility of agency–could actually be limiting the scientific enterprise. This is not to say that any unexpected observation should immediately be credited to design. Rather, my point is that if design is the most plausible of competing hypotheses, there is no reason to exclude it from the realm of possibility.

New Earth provides just such an example of how, ultimately, design was a better operating hypothesis than rival theories. When the explorers initially discussed the strange circumstances in the planet (specifically its seeming impossible location), one character remarked that [paraphrased] “It’s here! The models must be wrong!” Ultimately, this exclamation was shown to be incorrect: the models remained correct but did not account for the possibility of design.

Conclusion

One might note that Bova’s work perhaps shows the disjunct between design and naturalistic process. The juxtaposition of New Earth and its unexpected location, age, flora, and fauna against Earth’s more “typical” age and location provides readers with a reduced sense of the wonders of Earth. Moreover, in Bova’s broader canon, even Mars at one point had intelligent life upon its surface.

However, one must look to Earth and consider what we actually do observe rather than simply declaring that Earth “is here” so it must have gotten here through naturalistic means. Does Earth (or our universe) provide evidence for the hypothesis of design? That is, is design a more plausible explanation than naturalistic explanations which are offered? That’s a question which will take much exploration.

Links

Be sure to check out the page for this site on Facebook and Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies and more!

A Solar System and Cosmos Filled with Life?- A reflection on Ben Bova’s “Farside” and “New Earth”- I explore the notion that life should be expected all over the place in a post that looks at some of Bova’s most recent works.

Our Spooky Universe: Fine-Tuning and God- Here, I present evidence that our universe indeed has been designed.

“Fitzpatrick’s War”- Religion, truth, and forgiveness in Theodore Judson’s epic steampunk tale- I take a look at the book Fitzpatrick’s War, a novel of alternative history with steampunk. What could be better? Check out some of the worldview issues brought up in the book.

I have discussed the use of science fiction in showing how religious persons act. Check out Religious Dialogue: A case study in science fiction with Bova and Weber.

Source

Ben Bova, New Earth (New York: Tor, 2013).

SDG.

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The preceding post is the property of J.W. Wartick (apart from quotations, which are the property of their respective owners, and works of art as credited; images are often freely available to the public and J.W. Wartick makes no claims of owning rights to the images unless he makes that explicit) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy.

Comic Review: “Samson the Nazirite: Volume 1″

samson-naziriteSamson the Nazirite is the latest installment from Rooted Chronicles, a publisher describing itself as follows: “Our stories, or chronicles if you will, are a visual retelling of the Bible.  We have passion, love, and reverence for the Scriptures, and so we strive to stay true, grounded, and rooted to the Biblical account we are retelling.” Samson is one of my favorite biblical characters, so I was excited to see his story depicted in comic book form. Here, we’ll take a look at it from an apologetic perspective.

Bible to Comic

One difficulty with putting stories from the Bible (particularly the Old Testament) into other forms of narration is that the biblical account is often undetermined. That is, there are rarely many details that we are used to in our novels. Samson’s story is one which has more detail in the narration than many, and the comic plays off of that  by enhancing the narrative elements. It is very true that the comic stays close to the biblical account, while also introducing names and characters not mentioned therein.

The art in Samson the Nazirite is breathtaking. Seriously, this has some simply fantastic artwork. The details, shading, and depth in each panel are astounding. When the spirit of the LORD comes upon Samson, it comes in visual ways (creative license) by shining of Samson’s flesh at times.

The story is as compelling as it has always been to me. An imperfect man is chosen by God to carry out God’s will on Earth. Samson is depicted as I would imagine him: a oft-violent, impetuous, obsessive man. But he also realizes that he is part of God’s plan and his personality is at times tempered by that. I can’t wait to see the conclusion in volume 2.

Apologetic

The visual arts offer compelling ways to relate to the Bible in unforeseen ways. By seeing the story on paper, we are able to conceptualize it in ways not always immediate in the text. in Samson, for example, the angel of the LORD appears brightly as a shining angel. The strangeness of the situation and the fear such an appearance could bring about are made plain on the pages of a comic. By advancing the narrative through this visual medium, the author and artists create an apologetic narrative for the biblical text. The pictures draw us, like the story, to consider meaning beyond the text and images.

The practice of creating art like this comic is itself an apologetic practice. By thinking of imagery which will capture the imagination, the creators of a comic are engaging in a discourse with the text, drawing out its meaning in imaginative ways. The imagination is deeply connected to the intellect (consider the Narnia series, for example). Thus, by engaging the imagination, the creators of Samson also engage the mind in unique ways.

Comics?

I have talked to others about comic books as means to communicate Scripture before, and have been met with some resistance. One major critique is the notion that comics cannot adequately convey the meaning of the text. However, extensive portions of Scripture are grounded in narrative through visual imagery which lends itself to the visual arts. Anyone who has seen paintings of various biblical scenes knows that a single painting can capture the imagination and thus capture the intellect in unforeseen ways. Seeing something depicted through the arts allows one to engage on different levels. Thus, I would argue that comics are an appropriate way to transmit biblical narratives.

Conclusion

Samson the Nazirite offers a compelling way to consider the biblical truths in new ways. Through its engaging art and story, readers are drawn to consider the truths beyond the imagery and called to the text of Scripture. By engaging with the mind, the comic compels deeper understanding and immersion in the story of God’s action in human history. I encourage readers to pick up the comic either at the website Samson the Nazirite in a hard copy or on kindle.

Links

Be sure to check out the page for this site on Facebook and Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies and more!

SDG.

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The preceding post is the property of J.W. Wartick (apart from quotations, which are the property of their respective owners, and works of art as credited; images are often freely available to the public and J.W. Wartick makes no claims of owning rights to the images unless he makes that explicit) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy

Sunday Quote!- Every Story has a Worldview

hw-godawaEvery Sunday, I will share a quote from something I’ve been reading. The hope is for you, dear reader, to share your thoughts on the quote and related issues and perhaps pick up some reading material along the way!

Every Story Has a Worldview

I finished reading Hollywood Worldviews: Watching Films with Wisdom & Discernment by Brian Godawa the other day and thought it was pretty solid (though not entirely without faults). One interesting quote was in regards to fiction and worldview:

Every story is informed by a worldview. And so every movie, being a dramatic story, is also informed by a worldview. There is no such thing as a neutral story in which events and characters are presented objectively apart from interpretation. Every choice an author makes… is determined by the author’s worldview. (60)

Godawa’s point is similar to what I say quite often, with almost the exact words: every movie has a worldview. The same, as Godawa states, is true for any story. Every time someone tells a story, whether it is one they made up or one they picked up somewhere, it is slanted with worldview. We should be aware of this fact and be ready to critically engage with any story–fictional or non–so that we can bring into light the truths and falsehoods each story may contain.

What’s your best technique for critically engaging worldview in film? What other arts have you critically interacted with? How have you approached these?

Links

Be sure to check out the page for this site on Facebook and Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies and more!

Engaging Culture: A brief guide for movies- I outline my approach to evaluating movies from a worldview perspective.

Source

Brian Godawa, Hollywood Worldviews: Watching Films with Wisdom & Discernment 2nd Edition (Downers Grove, IL: InterVarsity Press, 2009).

Engaging Culture: Demon Hunter’s “Extremist” and the Apologetic Task

dh-extremist

Here, we’ll take a look at a recent album released by a favorite band of mine. Then, we’ll look at how this project relates to the broader field of apologetics.

Demon Hunter continues to release album after album, much to the delight of their fans (like me!). The heavy metal (in the spirit of nu metal/metalcore) band is formed of Christians who speak their faith through lyrics.

Musically, the album shows the range Demon Hunter has developed over time. There are a few ballads interspersed among numerous heavy riffs and screaming. The lead singer, Ryan Clark, has developed much since the first album. His voice is haunting when he sings, and his screaming continues to reverberate through the guitars and drums.

The lyrics are where the album truly shines. In “The Heart of a Graveyard,” for example, we find an existential call to awareness of the transcendent: “Tell me that your hopes and dreams don’t end in/the heart/Of a graveyard.” The cry to realize there is more to life than an ending “six feet” under is quite poignant. “I Will Fail You” is a heart-rending look into human nature: “I will fail you, of that I’m sure/I will remind you of the pain forevermore/And when my sins are just a memory, faith restored/I will fail you to the core.” The words are reminiscent of Paul’s words regarding his own failings in Romans 7:19 and present a clear call to the need for repentance. “Artificial Light” rejects the false replacements for true comfort and peace offered by a sinful world.

Overall “Extremist” is another excellent entry into Demon Hunter’s ever-growing list of hits. The music is intense, but the lyrics are truly the star in this album. From the existential need for salvation to themes of repentance and insight into human nature, Demon Hunter hit this one on all cylinders. I highly recommend the album.

So why post this review on a website dedicated to philosophy of religion, theology, and apologetics? Let’s not forget that one of the tasks of the apologist is to critically engage culture at every level. What part of reality falls outside the purview of the Christian worldview? Short answer: no part does. I want to encourage my fellow apologists to engage with the arts as much and as often as possible.

Not only that, but an album and band like this is capable of becoming an apologetic itself. I’ll never forget hearing Demon Hunter’s song “Thorns” for the first time (from an earlier album) and relating it back to the reality of the Cross and Jesus resurrection. Music like this which is lyrically fulfilling is itself an apologetic presentation. The fact that a band like Demon Hunter has the talent to headline shows at Ozzfest, among others, speaks to the appeal of the Christian worldview even in a culture which allegedly remains “checked out.” I thus also want to appeal to my fellow Christians generally: use the talents God gave you. Your worldview will come through in your writing, playing, painting, sculpting, and the like. God has uniquely gifted you to be a light to the nations.

Links

Be sure to check out the page for this site on Facebook and Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies and more!

Engaging Culture: A Brief Guide for movies- I reflect on how Christians can engage with popular movies in order to have meaningful conversations with those around them.

Book Review: “Think Christianly” by Jonathan Morrow- Take a look at this book about how we might engage with Christianity in every aspect of our lives.

SDG.

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The preceding post is the property of J.W. Wartick (apart from quotations, which are the property of their respective owners, and works of art as credited; images are often freely available to the public and J.W. Wartick makes no claims of owning rights to the images unless he makes that explicit) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy.

“Captain America: The Winter Soldier”- The Longing for Purpose and Truth

ca-winter“Captain America: The Winter Soldier” opened to a tune of a $300 million weekend. The film has been “certified fresh” by reviews aggregate Rotten Tomatoes (currently at an 89%). People are talking about the film. Here, we will explore some major themes in the movie from a Christian perspective. There will be SPOILERS in what follows.

Purpose

A question which reverberates throughout the film is that of purpose. What is Captain America’s purpose? He struggled with this himself; in a world far different from the one he sprung from, what place did he have?

It’s a kind of struggle that all humans experience at some point: an existential crisis of place. Where are we in the world? What is our purpose? How do we pursue it?

These questions speak to a longing for something greater. They are questions which address the core of human nature: awash in a universe which at times seems empty and without purpose, we mirror the uncertainty Captain America displayed. Yet the film itself speaks to the fact that there is real purpose in the universe. In “The Winter Soldier,” friendship and loyalty play major roles. The revelation that The Winter Soldier is, in fact, Bucky, a friend from the Captain’s past, leads to a poignant scene in which the Captain refuses to fight his friend due to an earlier vow. Purpose, it seems, is grounded on relationships. It is grounded in persons.

Ultimately, of course, the Christian worldview holds to that same concept but on a cosmic scale. Purpose in the universe is grounded on a person: God.

Human Nature

The depths of human nature are plumbed in the film, as it is discovered that Hydra, an evil Nazi organization, has managed to infiltrate Shield at the highest levels. At the core of the film’s portrayal of human nature is the notion that we are ruled by various fears. We are overwhelmed by chaos, and, if given enough of it, will succumb to any amount of limitations and control in order to turn away from the pit of destruction. Hydra helped bring about as much chaos as possible in order to push humanity to the brink.

It is a conspiracy theorists dream come true: the highest levels of intelligence infiltrated by an evil institution bent on wiping out all threats to its ultimate power. But the fact is that the plot twist was not really that unbelievable. But the strength of the scenario is how very believable it was. The notion that humans would give in to extreme injustice in order to flee from those things which scare them most really wasn’t unbelievable. The fact that both Hydra and Shield were working to eliminate “potential” threats ahead of time sealed the deal.

The commentary on human nature should not be missed: humanity is inherently fearful. Separated from a sense of tranquility and order, we often cling to things which are patently unjust in order to try to overcome our current situation. Think about it frankly: do you really think the scenario in this movie is all that preposterous? That’s what makes it so powerful. It’s not preposterous. In some ways, it’s already happening.

ca-winter2Captain America: The Moral Compass

The portrayal of human nature discussed above leads naturally into the question of justice. Captain America acts as a kind of moral compass in the current Marvel universe. It is hard to resist the reasoning from both ends–Hydra and Shield–regarding the nature of humanity. In one scene, people are asked whether, if able, they would “press a button” to prevent violent hostage situations, terrorism, and the like. The appeal could have some nodding along with it. But think about it, touching that button would kill those who had yet to do anything wrong.

Thus, Captain America seems initially naive when it comes to this moral reasoning. After all, why would he be so opposed to a system that could prevent the loss of life and ruination of people? But the Captain doesn’t stop the chain of reasoning there. Instead, he calls for a view of justice towards all people; one in which even the “bad guys” aren’t assumed to be irreparable. Its a strong message, and one which resonates with the Christian worldview in powerful ways.

Think of Jonah, who would have preferred to see Nineveh burn than to see them repent. But he knew that God was a loving God, eager to show love and mercy to repentant sinners. Or consider the cry of Ezekiel to “turn” from wicked ways and repent to avoid certain death (Ezekiel 33:11). These themes echo in “The Winter Soldier” as the notion that simply terminating people who may be threats is explored.

Viewing the Captain as a moral compass has some interesting outcomes. For example, though Joss Whedon (director of “The Avengers”) is an avowed non-theist, in that flick, Captain America quips to Thor: “There’s only one God, and… he doesn’t dress like that.” Though an offhand remark, it is interesting to see that Captain America affirms there is “a” deity at all, let alone “only one.” This, from the man who in the face of pressure from all sides, refused to kill the man he promised to protect.

Regarding the Winter Soldier, I have to say that I see shades of the biblical Jonathan and David in the relationship here. There is a mutual vow to protect each other. The two are enmeshed in conflict and end up on opposite sides. Ultimately, they are forced to choose between destroying the other or honoring their loyalty to each other. Again, I’m not saying this is intentional, but the theme is there.

Conclusion

“Captain America: The Winter Soldier” has much for Christians to discuss. It’s an extremely compelling tale filled with themes of justice, loyalty, and friendship. In order to effectively engage the culture, we should use it as a springboard to start discussions about the deeper things. Let me know your thoughts on the movie in the comments.

Links

Be sure to check out the page for this site on Facebook and Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies and more!

Check out my other looks at films from a Christian perspective. (Scroll down for more.)

A Christian Look at “The Avengers”- I examine a number of themes in “The Avengers” which Christians and non-Christians can discuss.

Engaging Culture: A Brief Guide for movies- I reflect on how Christians can engage with popular movies in order to have meaningful conversations with those around them.

The image is copyrighted by Marvel and I make no claim to rights. I use it under fair use.

SDG.

——

The preceding post is the property of J.W. Wartick (apart from quotations, which are the property of their respective owners, and works of art as credited; images are often freely available to the public and J.W. Wartick makes no claims of owning rights to the images unless he makes that explicit) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy.

 

A Solar System and Cosmos Filled With Life? – A reflection upon Ben Bova’s “Farside” and “New Earth”

bb-farside

Ben Bova’s contributions to science fiction are monumental. A six-tme Hugo Award winner (!!), he is established as one of the most successful and entertaining authors of our time. I have quite enjoyed a number of his works, though I have at times been critical of his portrayal of religion. Bova’s major series, the “Grand Tour,” follows human exploration of the solar system (and at some points, beyond). The series is constructed in such a way as to not require readers to follow it chronologically. They are interlinked and interrelated, but not interdependent. Here, we’ll look at two recent books in this series which look at the discovery of an Earth-like planet. There will, of course, be major plot SPOILERS for both books in what follows.

Farside

After telescopes on Earth discover an Earth-sized planet relatively local to our own Solar System (ten light years away), the race is on to learn more about this planet. Farside portrays the struggles of a number of people in their efforts to build an observation base on the dark side of the moon. Jason Uhlrich seeks his Nobel Prize in his attempts to be the first to observe and chart the planet.

Life has already been found within the Solar System, and now two rivals rush to be the first to discover it in the great beyond of the stars. What is interesting is to note some of the assumptions that go into Bova’s characterization of life beyond Earth. First, one primary assumption seems to be that where there is water, there must be life. Second, life should be expected in all corners of the universe.

These assumptions are the subjects of much debate within the scientific community around the possibility of life on other planets and the origin of life. Regarding the former, there are those who do believe that life will be found in abundance throughout the universe. After all, given that we exist, life cannot be all that improbable, right? The other primary way of thinking is to argue that life is, in fact, quite rare in the universe and our own existence is a wonderfully improbable jackpot win.

bb-neNew Earth

New Earth picks up some time after the events of Farside. Humanity has sent an expedition to “New Earth.” Upon arrival, there is a great mystery: “New Earth” is eerily like Earth itself. It turns out that a machine known as a “predecessor” has created the planet and grown these human-like aliens as a way to break it to humanity that there is, in fact, more intelligent life “out there.” Moreover, there is a catastrophic event coming towards the whole arm of the Milky Way which will wipe out these intelligent species, and humanity needs to help preserve themselves and the other species.

Though skeptical, ultimately all the members of the expedition are convinced, and the book ends with the message reaching Earth and the gearing up to proceed on this mission given by the Predecessor.

Reflection

There are, of course, any number of things that one could nitpick regarding the plausibility of the scenarios Bova envisions (one would be the rewiring of Uhlrich’s brain to “see” via hearing and touch… how does that work?), but here we’ll focus on two aspects of the work: the plausibility of life outside Earth and the mythos of the benevolent alien.

In Farside, readers who haven’t surveyed the body of Bova’s work discover that the Solar System itself teems with life: life once flourished on Mars, and its vestiges remain; on Jupiter, creatures soar in the skies; life is found elsewhere throughout the System. Bova’s vision of the origin of life seems to be that if there’s water, there may be life. Yet one has to wonder about the plausibility of life forming on a planet like Jupiter. How might biochemical interactions with delicate balances of material be maintained for long? What of the distance to the sun? The origin of life requires all kinds of factors to be “just right” and it simply is not enough to fudge the numbers by saying “It could have happened this way.” To develop a hypothesis around ad hoc assumptions is faulty.

Intelligent life, as explicated in New Earth, is even more problematic. It is easier to have single celled organisms than to have the complexity needed for intelligence. Even granting a naturalistic scenario, the conditions must be even more tuned for life and allow for the nurturing of that life for extremely long periods of time. The universe is indeed huge beyond belief but one has to wonder if even that immensity is enough to repeat the conditions which occur on Earth.

Of course, in the end, one must acknowledge that these are tales of science fiction, not proposals about how science fact might be. There is a certain sense of awe and wonder involved in considering whether life could exist all over the Solar System. It seems to me, however, that if that is the case, it probably got there by means of Earth–blown off the surface of our planet by an asteroid and traveled through space to Mars and possibly beyond.

Another major theme found in both books is what I dubbed the “Myth of the Benevolent Alien.” There is a kind of pervasive battle in science fiction between the notions that aliens want us dead or that aliens are going to be ultimately some kind of saviors of humankind. New Earth brings this benevolence front and center: some unknown life form created these “Predecessors” to find and aid intelligent life. It’s a scenario filled with wonder and hope. But it’s also a scenario which I’ve found time and again in materialistic literature.

The way this story goes: wherever possible, life is certain. It’s a kind of appeal to a fantasy of a godless universe wherein it may be possible to find hope and meaning in the stars. As one character (I believe it is Grant) said in Farside: Ad astra! (To the stars!). Second, the actual inherent implausibility of life both leads to this longing (we don’t want to be alone) and to a search for meaning (how did we get here?). My own answer is that theism provides a more plausible explanation of both the longing for meaning, meaning itself, and the way in which life arose. Interestingly, however, the atheistic accusation that theists are engaged in wishful thinking is perhaps mirrored through various declarations made by naturalists themselves (see the post linked above and in the links below).

Bova’s novels thus serve as a way forward in this discussion. By illustrating our longing and loneliness through the fulfillment of our desires (the discovery of life and the notion that we are not alone), Bova grants readers their wishes. However, we ultimately come to realize that these are indeed just wishes. Perhaps, one day, a “New Earth” will be discovered. But even if that happens, it will not be enough to satisfy our loneliness, nor will it answer our ultimate questions. Theism is the ultimate antidote to loneliness, the ultimate answer for our questions.

Links

Be sure to check out the page for this site on Facebook and Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies and more!

Materialists: Where is hope? Look to the stars!- I analyze one aspect of materialism: the way that some look to hope in the “beyond” of the outer limits of the universe. Hope, for materialists, may come from the stars. Our salvation may lay beyond our solar system, in benevolent aliens who will bring great change and advances to us.

Our Spooky Universe: Fine-Tuning and God- The incredible circumstances which allow for life to exist and thrive on Earth are the cause for not merely fictional speculation, but actual reflection upon our place in the universe and how it might relate to the transcendent. Check out this post which surveys the evidence for the existence of God found in “fine-tuning.”

Sources

Ben Bova, Farside (New York: Tor, 2013).

Ben Bova, New Earth (New York: Tor, 2013).

SDG.

——

The preceding post is the property of J.W. Wartick (apart from quotations, which are the property of their respective owners, and works of art as credited; images are often freely available to the public and J.W. Wartick makes no claims of owning rights to the images unless he makes that explicit) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy.

Really Recommended Posts 4/4/14- Views on “Noah” and “God’s Not Dead”

snowl-owl-post-arpingstoneI think it’s important to view a range of perspectives on two of the latest flicks to hit the big screens: “Noah” and “God’s Not Dead.” These films are going to draw religious viewers simply based on their content. How do we approach them? What conversations do we have? Here, I’ve offered a few posts about each film. I’d love to read your own thoughts on either or both of these flicks.  Yes, this is an owl post edition because I have a winter storm blowing through right now. So that’s fun. (This is my attempt to keep smiling.)

God’s Not Dead

An Apologist Reviews “God’s Not Dead”- Here, a Christian apologist discusses his viewing of the movie. His overall thought is that though it is at times simplistic, it may help awaken the need for apologetics within the church.

David Baggett Guest Post: “God’s Not Dead”- Noted Christian philosopher David Baggett takes on the film. He’s concerned that the film oversimplifies and caricatures atheists and Christians, without paying enough attention to the thoughtfulness of either.

Personal Comments on God’s Not Dead- Astrophysicist Hugh Ross shared his personal thoughts on the film. He thinks it is worth seeing for Christians, but also has reservations regarding its portrayal of the people involved.

A Christian Philosopher’s Thoughts on “God’s Not Dead”- This is a Christian apologist from a different [presuppositional] perspective offering thoughts on the film. To be fair, he is actually looking at the trailer. Can his comments be valid still? Check out the post and judge for yourselves.

Noah

Darren Aronofsky’s “Noah”- Over at The Gospel Coalition, the flick “Noah” is presented as having numerous issues, but it may start conversations and it also helps show the reality of evil before the Flood. Moreover, the reality of the spiritual realm is something that not enough people think of, but in the film the spiritual reality is very real and powerful.

I’m a Christian and I think ‘Noah’ deserves a four star review- In stark contrast to the above, Matt Walsh rips the film apart and also questions why any Christian leaders would be endorsing it or thinking of it as worthy viewing.

Sympathy for the Devil- In this post, Brian Mattson argues that the film is actually an ingenious way of portraying Gnostic ideas and Kabbalah. Essentially, his view is that the film is very explicitly Gnostic and portrays God as evil and the devil as sympathetic.

No, Noah is not Gnostic- In response to the claims of Gnosticisim, Peter Chattaway argues that one cannot conflate Kabbalah with Gnostic thought. Furthermore, he argues that Mattson gets several plot points and points of comparison wrong.

Both, and Then Some!

Hollywood, Movies, and the Bible: Should We Rewind on How We View?- Darrell Bock shares some thoughts on several recent movies with faith themes in them, such as “Noah” and “God’s Not Dead.” He offers practical advice regarding how one might view films with a discerning eye as well.

Star Wars: Fate of the Jedi- a Christian reflection on the most recently completed Star Wars series

sw-fotjStar Wars is not normally where I go to begin discussions about worldview. The most recently completed mini-series, however, “The Fate of the Jedi,” was full of material for discussing worldview perspectives. Here, I will only touch on a few of the many themes the series brought up. Some of these include world religions, objective morality, and theism. Of course, there will be HUGE SPOILERS for the Star Wars universe prior and up to this point. PLEASE REFRAIN FROM POSTING COMMENTS FROM OTHER STAR WARS STORYLINES.

I’ll not be summarizing the plot of the Fate of the Jedi series, which you may find by following the links for the individual books here.

World Religions and the Force

A huge part of the early stages of Fate of the Jedi involved Luke Skywalker and his son, Ben, traveling around the galaxy and visiting other various Force-using schools. These different Force-using schools paralleled, in many ways, various world religions. For example, the Baran Do Sages held onto a kind of gnostic way of knowing, where secret knowledge was preserved by a select group of masters to pass on from generation to generation. Another example is found in the Mind Walkers, who try to separate body from soul in order to walk in a completely different reality. Not only does this also seem gnostic in its bent, but it also reflects the notion of the extinction of the self found in some Eastern religions like Buddhism and Hinduism. There are a few other schools that the Skywalkers visit throughout their travels, and each has aspects of at least one world religion reflected therein.

Of interest is that the way the series approached the various parallels to world religions is that many of them appeared to be fairly obviously wrong. That is, they had a feel of wrongness to them, but they also seemed to get aspects of reality wrong. The Mind Walkers, for example, allowed their bodies to waste away while they experienced their own way of entering into the Force. One cannot help but sense a kind of aversion to this belief system, in which the body is so totally denigrated. Some of their comments also reflected a lack of concern for distinctions between good and evil. Yet again, this is a distinctive of some Eastern religions, and it is a way in which they are factually mistaken. Those who fail to make distinctions between good and evil, between reality and the mental life; they are operating under a mistaken view of reality.

The Fate of the Jedi, then, does not teach a kind of religious pluralism. Instead, it eschews pluralism for showing that some belief systems do not work. They simply do not line up with reality.

Redemption and Betrayal

The character of Vestara Khai is an extremely interesting figure. She may be the most complex character since Mara Jade. A Sith, she is captured by the Skywalkers, who initially do not trust her whatsoever (and for good reason). Yet, in a kind of typical story of conversion in the Star Wars universe, they begin to turn her to the Light Side of the Force. She realizes that her own life has not been based upon good, and she also acknowledges a distinction between good and evil. Her realization is centered around her relationship with her family and friends (such as they are). For a little while, it seems that Vestara is a true convert.

Yet the reader knows throughout that although Vestara has changed her whole way of viewing the universe, she is not entirely a convert. She still puts herself first. In fairness to her, she does so thinking that she is putting others first, and she often does seem to prioritize the needs of Ben–whom she’s come to love–over herself. But when push comes to shove, she betrays the trust of the Skywalkers in the most dire possible way, by giving away the secret identity of a loved one and dooming her to a life of dodging the Lost Tribe of the Sith. A commentary on the darker side of human nature, Khai’s life in the books also begs the question of where one goes from there: what redemption may be in store for someone who seems to have ruined all chances at salvation?

Prophecy and the Celestials

The notion of prophecy is found throughout the Star Wars universe. There was the prophecy of the “Chosen One”; later, prophecies revolved around the Sword of the Jedi and the Unification of the Force. Each of these prophecies were expected to be fulfilled. In the Star Wars universe, prophecy is the product of the Force. One wonders, however, how this plays out with what is an essentially impersonal force. It seems that in order to give revelation, there must be some kind of personal reality; for prophecy relates to the actions of persons.

Ultimately, readers encounter the Celestials–a group of beings (Father, Son, and Daughter… and later Mother) of extreme power. These beings are tied into the whole plot of the expanded universe books of Star Wars in some ingenious (and sometimes a bit questionable) ways. Although these beings may appear to parallel a kind of pantheon, it becomes clear that they are not. They may be seemingly eternal, but they are also contingent: it was entirely possible for them to be destroyed. Again, it is not these beings who drive reality; it is the Force. The Force is the power in the universe, the ‘all in all’ of the Star Wars universe. Yet, as I’ve argued above, it is hard to envision the force as entirely impersonal. It delivers prophecies and sometimes even answers the call of those in need. The “Trinity” created and driven by the Force ultimately drive the Force themselves in many ways.

Conclusion

The Fate of the Jedi series explores a huge number of issues related to worldview. I didn’t get to nearly all the major issues, let alone the minor ones, which come out throughout the series. Of interest is how the series clearly brought up world religions in such a way as to avoid pluralism, but rather provided ways to distinguish between truth and falsehood in religion. Prophecy begs for a personal being, yet the allegedly impersonal Force provides it. It was great to experience the Star Wars universe in such a way as to have it bring up so many issues of worldview in often thoughtful and, frankly, thought-provoking ways.

Links

Be sure to check out the page for this site on Facebook and Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies and more!

“Fitzpatrick’s War”- Religion, truth, and forgiveness in Theodore Judson’s epic steampunk tale- I take a look at the book Fitzpatrick’s War, a novel of alternative history with steampunk. What could be better? Check out some of the worldview issues brought up in the book.

I have discussed the use of science fiction in showing how religious persons act. Check out Religious Dialogue: A case study in science fiction with Bova and Weber.

Source

Troy Denning, Star Wars: Fate of the Jedi- Apocalypse (New York: Del Rey, 2012).

Disclaimer: The images in this post are copyright of the Star Wars universe and I use them under fair use. I make no claims to ownership of the images.

SDG.

——

The preceding post is the property of J.W. Wartick (apart from quotations, which are the property of their respective owners, and works of art as credited; images are often freely available to the public and J.W. Wartick makes no claims of owning rights to the images unless he makes that explicit) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy.

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