christianity and movies

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Star Wars: The Force Awakens- a Christian perspective 

sw-faI have read over 100 Star Wars books and watched all the movies dozens of times (probably well over 100 for each of the original trilogy). In other words, I’m a Star Wars fan. I absolutely loved The Force Awakens. It was fantastic. It was wonderful. It was Star Wars. I’m also a devout Christian. Here, I will evaluate the movie from a Christian perspective.

SPOILER WARNING: There will be SPOILERS in what follows. I want to make that as clear as possible. Read no further if you don’t want to read SPOILERS. I’m serious. Big ones. Are we clear? Read on if you have seen the movie, or don’t care about spoilers. I’m sure the comments will also have spoilers.

The Force

One of the most pervasive images of the Star Wars universe is that of the Force. Wait, imagery? Of the Force? Well, you can’t see the Force!

Yep, that’s right. We can see Jedi or Sith using the Force. We can see the effects it has on people, and its power. But we cannot see the Force. One might say it’s just a bunch of hokey religions (thanks, Han). But in The Force Awakens, Han Solo admits what he has known for a while: the Force is real.

What is interesting about this admission is how much people of all varieties have been attracted to the notion of the Force and the Star Wars universe in general. In reality, the Force is a metaphysical concept. It goes beyond the mundane, physical universe and reaches for something more. The drive for that “something more” is pervasive in humanity, I think. Inwardly, we know that the world is not limited to those things we can see through direct observation. Thus, we are drawn to even fictional portrayals of a deeper reality such as the Force. Like Han, we may talk the talk, but when push comes to shove, there is more to our world than meets the eye.

Family, Darkness, and Natural Consequences

Exodus 34:7 reads, in part, “[God] does not leave the guilty unpunished; he punishes the children and their children for the sin of the parents to the third and fourth generation” (NIV).

Many see this as a kind of vindictive verse. In fact, it is an example of human choices bringing about consequences. One of the things I have learned since becoming a parent (and I’m still learning) is that natural consequences are the most effective way to teach my son. If he stands on a chair, he gets removed from the chair until he is willing to sit instead of stand. The verse above shows how our actions and choices have natural consequences.

Anakin Skywalker’s choices have impacted his family in profound, terrible ways. Sure, he saved Luke at the end of Return of the Jedi, and he was reunited with the Force. But think about what his choices visited upon his children: they had to be separated at birth and whisked into hiding. Vader even cut off his son’s hand!

In The Force Awakens, we see those consequences being visited upon the next generation as well. Kylo Ren, Han and Leia’s son, appears to be trying to follow his grandfather’s footsteps. But instead of trying to follow them back towards the Light side of the Force, he is attempting to complete the Dark work of his grandfather’s alter ego, Darth Vader. Can a more poignant reminder of the punishment that can be carried on from generation to generation be given?

In the world we live in, we can see these same systems of injustice bringing punishment on one generation after another. World War II was, in part, brought about by crippling economic hardships imposed after World War I. Systemic racism continues in the United States, demeaning not just those against whom racism is directed, but also bringing darkness onto those who engage in it.

The passage from Exodus above can be read simplistically, but when taken in perspective like this, it is immensely profound. The poignancy of that statement: that the actions we take now can bring about punishment on our children, and their children… should lead us to consider what it is we are doing. Kylo Ren wasn’t created in a vacuum.


The Force Awakens also points ahead to a hopeful reality, one which resonates with the Christian worldview. Han and Leia each believe that there remains good in Kylo Ren–Ben–still. Han risks his life on that evaluation and even sacrifices himself for it. Though we don’t see this coming to fruition, the seeds of hope are there. Will Ren follow his grandfather’s Dark choices to a logical end, or will he be brought back to the Light?

The movie ends with Luke Skywalker and Rey on a remote planet. This guru-like setting is also reminiscent of the Desert Fathers of the ancient Christian church (though ironically in a very watery setting!). Will redemption and hope be brought forth once more through Rey? That remains to be seen, but the seeds have been planted. Han’s willingness to believe in goodness in his son is the same kind of willingness we need to have when we confront evil. Yes, we need to be prepared to stand up against evil, but we also need to realize that we were yet sinners when Christ saved us. The “other” is like we were, lost to sin and in need of redemption.


Go see The Force Awakens. Be prepared to celebrate the joys of Star Wars again, but also to think. It’s a fun, delightful movie that is overlaid with much darkness. Yet, in the midst of all that darkness there is hope.

Let me know your own thoughts on the movie in the comments. I’d love to hear what you thought of the film.


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The preceding post is the property of J.W. Wartick (apart from quotations, which are the property of their respective owners, and works of art as credited; images are often freely available to the public and J.W. Wartick makes no claims of owning rights to the images unless he makes that explicit) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy.

“Les Miserables”: A Christian reflection


Les Misérables” has finally been adapted to the big-screen, and, to put it simply, it is stunning. The impression that it leaves will be lasting. Yet what issues does it explore? What is the impression that it gives? What is the worldview in “Les Miserables”? There are SPOILERS below.

Natural Law and Human Dignity

One of the most clear themes throughout the movie is the challenge raised in balancing natural rights, natural law, and human dignity. Jean Valjean starts off the movie as a prisoner. He has been imprisoned for 19 years–5 for stealing a loaf of bread, and 14 for trying to escape. These prisoners are essentially slaves. Their personhood is denigrated, and Javert, the Inspector, insists on calling them merely by their numbers. During this scene, the prisoners sing of calling for Jesus to save them, but complain that Jesus has not heard them. Yet God is not dead in this story, as we shall see below.

Several questions are raised here. It seems clear that the human dignity and therefore the natural rights of these people is being violated by the way they are treated, as well as the cruelty of the punishment for petty crimes. Not only that, but it seems that natural law is being violated in that the poor continue to cry out for help to no avail. They need food, shelter, and the like. They are willing to work but can’t find any. The movie provides a poignant commentary on the violations of natural law, rights, and human dignity that continue to be found in our own society.

Javert is the story’s foil for natural law. He brings in a kind of Kantian certainty about moral questions. For him, the law is morally right, and one cannot violate the law. Yet it becomes clear through the film that Javert’s view is actually that which is mistaken. He is operating under a skewed vision of natural law which cannot stand up to scrutiny. His view equates natural law with the law of the land. Valjean grants Javert mercy and Javert later does the same for Valjean, but unlike Valjean, Javert cannot understand mercy. For him, the law of the land is always absolute. Finally, he cannot reconcile his view of the law with the realities of the world which include not just natural law but also the redemptive mercy that God has embedded in it and he kills himself.

Jean Valjean is not the only person whose very worth is questioned. Fantine suffers immensely in the story. She is reduced to selling her hair, then her teeth, and finally her body when she loses her job. Again, her very humanity is threatened by her treatment. She is dehumanized and forced to give up hope. However, Jean Valjean, as she is dying, comes to her aid and promises to take care of Cosette, her daughter. This gives her hope, and restores some of her human dignity.


Despite the apparent hopelessness in many scenes, it becomes clear that evil has not won the day. Indeed, Jean Valjean is given another lease on life by Bishop Myriel, who is an extremely positive example of Christian concern for other persons. The Bishop saves Valjean from imprisonment and torture and tells him that he has saved him. He tells Valjean God has a plan for him and in an extremely poignant scene, Valjean struggles with his feelings of hatred and anger in a church. He cannot seem to reconcile the mercy shown to him by the Bishop with his view of the world. It is Valjean’s initial view which loses out. His anger and hatred are given over to providing hope and taking care of the needy. He becomes a moral hero, despite the necessity of his continuing to flee from the authorities.

Ultimately, the grounding for human dignity and rights is found not in the tribulations of the world but in God’s justice in the hereafter. The epic closing scene depicts all the dead lined up in heaven praising God and glorying in redemption. Without this, the movie would be nearly hopeless. Instead, Jean Valjean is guided into the afterlife by Fantine and Bishop Myriel. The explicit Christian elements in this final redemption are clearly portrayed, crucifixes are prominent and it is the Bishop into whose hands Valjean is accepted.

valjeancrossSalvation and God

It seems clear from the story of “Les Miserables” that God is operating even in the darkness and bitterness of the poor, the downtrodden, and the weary. Jean Valjean comes to realize that God’s plan can be carried out even by him in the mercies that he is able to show by taking care of Cosette and giving to the poor. His struggle over the fact that Bishop Myriel did not condemn him leads him to a view of reality that is a stark contrast with that of Javert’s view, noted above.

Jean Valjean sees the world through the eyes of one to whom mercy has been shown. He realizes that he did not deserve the mercy he was given, but he instead lets it change him forever. He fights against the evils of the world and ultimately, at the end of his life, he realizes that is what he was called to do.

One cannot help but see how stories of all the characters interweave in such a way as to show foreknowledge and planning. Valjean is shown mercy, but to what end? Ultimately, the end is to provide hope into a world with little hope (Fantine) and to save the life of a girl (Cosette). The way these people are brought together provides an abundance of grace and mercy, but not without suffering.

The characters cry out to God throughout the film, asking where He is or why He has allowed some evil. But it becomes clear that their eyes have been focused upon the suffering here-and-now instead of God’s plan for salvation. Without the foreknowledge of God, it is easy to see the ills of this world as reason to hate God. Indeed, that is exactly what some people do. But in “Les Miserables,” God’s plan wins in the end: he brings his people to salvation and they sing in heaven at the end of the film.

Other Themes

Water is a recurring theme in “Les Miserables.” As a Christian I could not help but think of baptism. Valjean is baptized in the rain, but Javert uses water to bring about his own destruction.

There are crosses featured prominently throughout the movie. The barricade behind which the revolutionaries fight has coffins on the front during the battle. However, at the end of the movie, when all the dead are lined up and singing in the glory of heaven and God’s presence, there is a cross prominently featured. When Jean Valjean struggles with the mercy Bishop Myriel showed to him, crosses are featured all over the screen. All of this seems to tie into the themes of redemption, God’s will, and salvation noted above.

Christians, or people who claim to be Christians, are not always good people. Javert’s skewed view of justice prevented him from taking into account God’s mercy. The innkeeper and his wife claim to be Christians but spend their lives trying to swindle and steal from others. This is a reflection of the truth. Jesus himself noted that there will be weeds among the wheat (Matthew 13:24-30). That is, there will be those who claim to be among the saved who are not and may even seek to destroy the saved.

Victor Hugo

Victor Hugo was not necessarily a friend of organized religion. His religious beliefs changed throughout his life. It seems he became frustrated with the suffering of the people and the inactivity of organized churches in response to this suffering. Some have pegged him as a deist, though a bit of exploration turns up hints that he may have maintained theism through his life. Regardless of Hugo’s own spiritual state, it is clear from the film “Les Miserables” that Christianity is largely beneficial. Not only that, but the story is such an epic tale of redemption with Christian themes interwoven throughout that I can’t help but think (having, admittedly, not read the book) of the extremely positive overall impression I had of the power of Christianity to change people.


Les Misérables” is a stunning film. Its impact will last for years. Perhaps the most exciting thing about the movie, however, is the way it tackles worldview questions head-on. Humanity is found even in the darkest pits, and God’s work continues to be done even in the most desperate of hours. The movie is not for children, but it will serve as an inspiring foil from which to start discussions about Christianity. The beneficence that comes from the Christian worldview is very much on display, along with Christian themes of God’s sovereignty and plan of redemption. I encourage readers to see the film and realize the way it can be used to discuss issues central to Christianity.



The preceding post is the property of J.W. Wartick (apart from citations, which are the property of their respective owners, and works of art as credited) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy.

Engaging Culture: A brief guide for movies

There has been much furor recently over the release of the Hunger Games movie. My own discussion of that movie has drawn a number of comments from Christian visitors, both good and bad (and I appreciate the candor!). One theme that has reverberated throughout the discussion is the appropriateness of Christians watching violent movies or even considering using them to try to engage with the culture at large. There are no easy answers to these questions, but in this post I seek to provide a brief guide for Christians who hope to use movies to engage with the culture at large.


Perhaps the most contentious issue that was brought up in my own discussions of the Hunger Games was the appropriateness of viewing violent movies and even using them to engage with others. Jonathan Morrow, in his important book Think Christianly, provides an excellent discussion of the topic at hand. He prefaces his remarks with the comment that “the Bible would probably get… an NC-17 rating in [some areas like the end of Judges]…” Yet it is important to note that “The Bible does not use evil for exploitation” but rather “always records evil and sinful behavior and the consequences that come with them” (193). Violence in a work does not necessarily exclude it from the Christians’ sphere of engagement.

Morrow provides a number of useful questions for Christians to consider when looking at a movie. Here are a few samples (see p. 194):

  • Does it endorse evil…?
  • Does it incite us to evil acts?
  • Is the evil gratuitous?

These are the types of questions Christians must ask as they consider a movie. Now, it is clear that Christians won’t always agree on the answers to these questions. What some consider gratuitous might be something someone else considers necessary for a plot. But violence of itself does not mean a Christian cannot engage with a movie. In particular, some movies use violence in order to point out the horrors which follow from it. This is, in fact, Biblical. Throughout the Bible, violence is depicted along with its consequences, yet it is clear that in all God is in control (see, for example, the Joseph narrative). As Christians interact with movies that have violence, they can focus the discussion on the consequences of humanity’s sinfulness and the need for a savior.

Engaging With the Movies

Morrow suggests a three-layered approach to movies: examine the form of the film (this involves engaging with the artistic elements such as music, cinematography, and the like); observe the content of the film (what is the message the director is putting forward? who is the hero/villain [these characters generally convey that which the director wants to show as good or bad]); note the function of the film (what is the film’s purpose? does it portray sinful behavior in a positive light?) [191].

These questions allow one to proceed to the level of engagement with the culture. If a film is inappropriate, it is not enough to simply dismiss it as a horrible, immoral movie. Rather, one can engage thoughtfully with those who want to discuss the movie. “Why did you enjoy the movie?”; “What kind of message do you think the movie tried to put forward?”; “Do you agree with the central theme of the film?”–these are the types of questions Christians can ask in order to engage with the culture. Note that none of these questions comes across as antagonistic or angry. Rather, they come across as interested and thoughtful. Whether one has seen a movie or not, one can easily engage in a dialog which can lead to some interesting discussions.

The brief overview I’ve given here is merely a guide. Interested readers should check out Morrow’s book (linked below).

A Case Study: The Hunger Games

I’ve already discussed The Hunger Games at length in both the film and book versions, so I won’t repeat that discussion. Here, let me just apply what we see above. There are a few minor spoilers below.

What is the form of the film? -Generally, it seems to be a blockbuster movie with grandiose special effects and stirring musical scores. The visuals often dazzle with bright colors in the capitol but they are very subdued in some parts, particularly in the districts which are under the oppressive rule of the capitol.

What is the film’s content? -In my post on the movie, I argued that the content largely serves to direct the audience’s attention inward: we are, in a sense, the capitol. We are the ones who actively participate in activities to give ourselves comfort while there is great suffering around us. The violence in the movie is there, but it is portrayed in a way which does not glorify it. It is the people of the capitol who glorify the violence, and it is the people of the capitol who are the confused villains.

What is the function of the film? -Again, it seems to be a social commentary on the evils we bring about here. The decadence of the capitol is our own indulgence; the violence going on in the Games are the evils of the world. I see the film as a stirring commentary on social injustice.

But what if you think the violence is too much? What if you think I’m just wrong about this particular film? Should you jettison it altogether? I think not. Instead, I suggest you turn to the questions above. Ask: “Why did you like the Hunger Games?”; “Do you think the film glorifies violence, why or why not?”; “What current problems do you think relate to the film?”


Christians are called to engage the culture around them in a transforming fashion (1 Cor 9:19-23). Engaging with popular films is just one way to engage with the culture. As popular movies come out, it is important for Christians to know the relevant issues they raise and be ready to comment on them as they come up. If we can more effectively open discussions with people about these highly relevant topics, we can help show Christianity is an extremely powerful worldview that touches upon every aspect of our lives in a positive way.


Jonathan Morrow, Think Christianly: Looking at the Intersection of Faith and Culture (Zondervan, 2011).

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