Harry Lee Poe

This tag is associated with 4 posts

Book Review: “Becoming C.S. Lewis: A Biography of Young Jack Lewis (1898-1918)” by Harry Lee Poe

C.S. Lewis is a champion of the faith whose life story is familiar and oft-retold. Having read a couple biographies of Lewis, I was a bit skeptical of yet another biography of the man coming out–and a multi-volume one at that! What could be added? But then I saw that Harry Lee Poe wrote it, and having enjoyed some works from him in the past, I decided to give Becoming C.S. Lewis: A Biography of Young Jack Lewis (1898-1918) a try.

One thing that immediately sets the biography apart is that it is a look specifically at C.S. Lewis’s younger years. Harry Lee Poe argues persuasively that these early years of Lewis’s life were both incredibly formative and essential to understanding the man he would become. one major aspect of this book is showing Lewis’s own path of faith. The notion of Lewis going from an atheist to a Christian is well-known, but his move from being a Christian to an atheist is less commonly discussed. It’s clear from Poe’s work that Lewis essentially experienced a kind of milquetoast faith that did not appeal to him whatsoever, while eagerly pursuing certain vices as well. Some sordid details of his predilections are touched upon in this regard, and this helps readers understand Lewis more fully as well.

Another aspect of Lewis’s early life that Poe documents as being extremely important to the later man is his burgeoning interest in classics and myth. Whether it was in translating for himself some classic works or his own intense reading through various myths about King Arthur, Lewis’s interest in myth was found and nourished from an early age. There is little question that it stuck with him for the rest of his life and became essential to understanding the man he became. Lewis’s complex familial relations are also touched upon throughout this biography, as the influence of his brother and family on his life is drawn out by Poe in some detail.

Poe writes this biography in a voice that immediately grabs the reader. He is both sympathetic to the subject while also not excusing character flaws. His writing is well-suited to biography and as one reads Becoming C.S. Lewis, one feels as though one is engaged in a conversation with the author about the fascinating subject.

Becoming C.S. Lewis is a fascinating, detailed look at the earliest parts of C.S. Lewis’s life. Poe is a skilled author with a deep knowledge of the subject, and that makes this biography a must-read for those even remotely interested in the life, theology, or fiction of C.S. Lewis. Highly recommended.

Disclaimer: I was provided with a copy of the book for review by the publisher. I was not required to give any specific kind of feedback whatsoever.

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Book Reviews– There are plenty more book reviews to read! Read like crazy! (Scroll down for more, and click at bottom for even more!)

SDG.

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The preceding post is the property of J.W. Wartick (apart from quotations, which are the property of their respective owners, and works of art as credited; images are often freely available to the public and J.W. Wartick makes no claims of owning rights to the images unless he makes that explicit) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy.

Sunday Quote!- Explanation as a Zero-Sum Game?

gc-poedavisEvery Sunday, I will share a quote from something I’ve been reading. The hope is for you, dear reader, to share your thoughts on the quote and related issues and perhaps pick up some reading material along the way!

Explanation as a Zero-Sum Game?

God and the Cosmos by Harry Lee Poe and Jimmy H. Davis offers a deep look at the problem of divine activity in a created world. The authors explore the question from a number of perspectives, providing much insight into an intriguing question. One aspect they address is the notion that explanation is a kind of zero-sum game:

To those who hold the view of scientific naturalism, our explanations of natural events are a zero-sum game. To them a 100 percent natural explanation means a 0 percent divine involvement. (17, cited below)

Thus, the authors argue that many who hold to a non-theistic worldview allege that explanation is a numbers game. If one can fully explain a phenomenon through natural means, that must mean that theism has nothing to say about it. Intriguingly, though the authors don’t note this, a similar view is espoused by many Christians who tacitly grant this premise, arguing against natural explanations due to a fear of deism or other non-Christian beliefs. Yet when we look at the statement on its face, it seems absurd. We know explanations are not zero-sum. My belief that it is raining might lead me to bring an umbrella with when I go outside, but one might also be able to construct a series of physical explanations of the same event (i.e. describe all the neurons fired, muscles moved, etc.).

God and the Cosmos is the kind of book that keeps readers thinking well after reading the content. I’m still working through it, but so far I recommend it. As an interesting aside, Harry Lee Poe is related to Edgar Allan Poe (yes, that one), and also wrote a fascinating book on his relation: “Evermore: Edgar Allan Poe and the Mystery of the Universe.

Links

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Sunday Quote– If you want to read more Sunday Quotes and join the discussion, check them out! (Scroll down for more)

Eclectic Theist– Check out my other blog for my writings on science fiction, history, fantasy movies, and more!

Source

Harry Lee Poe and Jimmy H. Davis, God and the Cosmos (Downers Grove, IL: InterVarsity, 2012).

SDG.

 

Sunday Quote!- The Measure of Art

eeapmu-poe

Every Sunday, I will share a quote from something I’ve been reading. The hope is for you, dear reader, to share your thoughts on the quote and related issues and perhaps pick up some reading material along the way!

The Measure of Art

I’m a fan of Edgar Allan Poe, but I can fairly say I never understood him until  I read Evermore: Edgar Allan Poe and the Mystery of the Universe by Harry Lee Poe (yes, a cousin of Edgar’s). I was rereading this delightful book when I came upon an interesting quote about Edgar Allan Poe’s view of what makes art worthwhile:

[Poe] insisted on measuring a work of art, not by its size or by the effort it took to produce it, but “by the object it fulfills, by the impression it makes”… [not] “by the time it took to fulfill the object, or by the extent of ‘sustained effort’ which becomes necessary to produce the impression.” Poe believed that every story succeeded as a story to the extent that it created an effect upon the reader. (62)

For Poe, the measure of art was the impression it left upon the viewer (or reader, or hearer, or…). What do you think of this notion? What do you think qualifies as “the measure of art”? Have you read Poe? If so, how does his work “measure” for you?

Be sure to check out the review of this book.

Links

Be sure to check out the page for this site on Facebook and Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies and more!

Evermore: Edgar Allan Poe and the Mystery of the Universe by Harry Lee Poe– I reviewed this fascinating book at this link. Check it out to see what other insights you can get from this work.

Sunday Quote– If you want to read more Sunday Quotes and join the discussion, check them out! (Scroll down for more)

Source

Harry Lee Poe, Evermore: Edgar Allan Poe and the Mystery of the Universe (Waco, TX: Baylor, 2012).

SDG.

“Evermore: Edgar Allan Poe and the Mystery of the Universe” by Harry Lee Poe

eeapmu-poeEdgar Allan Poe. His name immediately calls to mind images: a black raven haunting one’s thought, the beating of a heart driving one mad, gruesome, macabre deaths. It also brings to mind thoughts on the man himself: twisted, slightly mad, alcoholic, broken.

Are these images of the man’s work and life accurate? Harry Lee Poe (a cousin of Poe’s) argues that they are not. Instead, this kind of imagery is a result of both the popularization and the character assassination of one of the great American literary giants.

Harry Lee Poe’s work, Evermore: Edgar Allan Poe and the Mystery of the Universe is a fascinating journey into the mind, times, and works of Edgar Allan Poe.

The Myth of Edgar Allan Poe

It is interesting to note that from the time he died, Edgar Allan Poe’s person was the target of a character assassination which would give rise to the popular portrayal of him as a dark, haunted drunkard. Rufus Griswold, a man who portrayed himself as a minister despite having never been ordained, published a work which has remained in the popular consciousness through the present day. In it, he falsified information about Poe and heavily edited a number of letters from the author in order to portray him as the dark, fearsome man he is often imagined even today. Harry Lee Poe exposes this mythos by noting the work of Arthur Hobson Quinn, who in 1942 published the letters Poe wrote alongside the altered letters Griswold used to make the image he created.

Thankfully, Edgar Allan Poe’s (hereafter EAP) image has been recovering in scholarship, but the damage at a popular level continues to be seemingly ubiquitous. The image of Poe as a brooding man matches what people wish to see when they read his works of horror and thrills. However, Harry Lee Poe (hereafter HLP) notes that there is much more to EAP’s body of work than is often known.

The Broader Poe

EAP’s body of work had its share of horror and mystery, but it also featured humor and satire, science fiction, and beauty. Remarkably, EAP contributed to the formation and even creation of entire genres which are extremely popular today. His science fiction was, at the time, known as “hoaxes” because no actual genre existed in order to encompass them. He also wrote the first detective mystery works to be known in literature. He was innovative and unique in his contributions to literature. He truly stands easily among the literary giants of all time.

The distribution of his works is also worth noting. EAP intentionally wrote in a number of different ways about a number of different things. HLP documents his major tales, numbering each under headings of genre. The results are surprising: EAP wrote more humor and satire than he did horror. Yet he is largely known today only for the latter (24-27). It is worth looking at Poe’s entire body of work in order to understand the man.

Mystery and Reality

One of the central parts of Poe’s work involves the writing of mystery stories. As has been noted, EAP was the first to write in the specific genre of detective mystery stories. EAP’s use of the mystery story shows that he assumed the problem of evil as a very real difficulty. However, the concept of a detective mystery story, in which the reader, through the characters, seeks to solve the mystery and find the one who committed the crime. In short, there is a broader concept of justice involved in a mystery story. Unless there is justice in the universe, the problem of evil cannot present a difficulty for one’s worldview, for evil could just be a given.

EAP, who had written horror stories already, moved the blood and gore from the climax of the story (horror) to the beginning (mystery). The rest of the story would not be about the blood and gore, but about righting a wrong: “injustice cannot be allowed to continue… the sense of justice assumes the basica rationality and order of the universe so that Truth may be discovered. The reader wants to know the truth” (115).

Beauty and Love

The concept of beauty was central to EAP’s work. He used the concept to evoke a particular feeling related to the injustice of crime, but he also saw beauty as a way to point beyond the mundane. “Beauty constituted to Poe evidence that human experience is not bound by time but belongs to eternity” (83).

The different varieties of love are exemplified throughout Poe’s works. Affection, friendship, and passion are developed by HLP to explain EAP’s concepts of how these related to the world at large. Each of these concepts could be forces for the positive or for ill. Affection, friendship, and passion could each become corrupted, and each would lead to devastating results if one allowed this to happen (86ff). Love provided a difficulty for EAP, for he saw that it may tell us about something beyond the world: it may inform us about God. But if it could be perverted, does that suggest an outside source from which love sprang, which we corrupted (107-108).

Eureka

Perhaps the most interesting portion of Evermore is the discussion of EAP’s own views as he expounded them in his work, Eureka. In this work, Poe examined the mystery of the universe. He held that the universe had a beginning and was actually expanding. He argued that light and electricity belonged “to the same continuum.” His view was close to the modern theory of the Big Bang. Yet EAP thought of this around a century before the latter came into vogue. Because the universe began, “Poe concluded that a God exists who created the universe for his pleasure. Love and Beauty provide a glimpse of God… Pain, suffering, evil, and death are the contingencies of physical existence that are left behind” (55). EAP saw the universe as a grand story, which was “the plot of God” (ibid).

The reasoning behind EAP’s amazingly prophetic vision of cosmology was found in his own observations. He noted the difficulties presented by the notion of an infinite universe, including the fact that the night sky had places where there were no stars to be seen (known as “Olber’s Paradox”).

In Eureka, EAP postulated a deity. It seemed intuitively obvious to him that if the universe began to exist, God must exist. Given that his own observational evidence led him to the conclusion that the universe began, he concluded that God exists. Moreover, he posited that this deity would have to design the universe and guide its expansion from a primordial particle (152). However, this deity was essentially pantheistic, which was his solution to the problem of evil. Each individual person would become Spirit individualized. God would become all-in-all, thus bringing holiness to all.

Edgar Allan Poe’s Beliefs?

HLP argues that EAP may indeed have become an orthodox believer late in life. Having already come to the conclusion that God exists and that the universe had a beginning (itself something EAP noted matched remarkably with the Biblical account), Poe would come forward at a Sons of Temperance meeting. HLP notes that such a move cannot be abstracted purely as coming out against alcoholism (something EAP struggled with himself). Instead, the group was explicitly evangelical in nature. Coming forward would be similar to someone today coming forward at a Billy Graham meeting (166). Those interested in Poe’s beliefs must therefore come to one of two conclusions: either he was “the charlatan and scoundrel that Griswold said he was” or “he had a conversion experience.” The Sons of Temperance taught explicitly evangelical Christianity, which would suggest that if EAP was genuine, he had come to accept a more evangelical, orthodox faith before he died.

Conclusion

Few works have intrigued me as much as Evermore has. Edgar Allan Poe has been a favorite of mine for some time, but I admit that I had bought into the stereotypical picture of the man as much as anyone else. Having only really read his horror and some poems, I have not had a complete vision of his actual body of work. Harry Lee Poe does an exemplary job of showing how EAP explicitly viewed his works as a growing body of interconnected themes, seeking to find the mysteries of the universe.

Edgar Allan Poe was a visionary. He was a great American author whose writings paved the way for hundreds of years to come. He was also well ahead of the science of his day, and similarly had already deduced the theological conclusions well before others had attempted to do so. Harry Lee Poe has presented a convincing, thorough look at EAP’s entire body of work. Having done so, he makes the man even more interesting than the myth. Edgar Allan Poe’s explorations of the mysteries of the universe leaves me profoundly interested in the man and his body of work. I highly recommend Evermore: Edgar Allan Poe and the Mystery of the Universe to you.

Source

Harry Lee Poe, Evermore: Edgar Allan Poe and the Mystery of the Universe (Waco, TX: Baylor, 2012).

SDG.

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The preceding post is the property of J.W. Wartick (apart from citations, which are the property of their respective owners, and works of art as credited) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy.

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