Once in a while, you read a book and you set it down on your chest after finishing it, just contemplating what happened. You are forced to think in new categories, to explore new dimensions. All You Need Is Kill was a book like that for me. Here, we’ll explore some of the major themes in the work that inspired the film “Edge of Tomorrow.” Check out my look at the film. There are SPOILERS in what follows. I’ll not sum up the plot, but a summary may be found here.
Truth and Taste
Right at halfway through the book, Sakurazaka shifts the focus from the main character, Keiji Kiriya, to Rita Vrataski, the American special forces operative who is known as the “Valkyrie” or “Full Metal *****.” There’s a photographer attached to her unit, who realizes the importance of taste and imagery in the matter of truth:
“Great lighting. Days like today can make even a steel-and-rivets airplane look like a da Vinci…”
“I take great pride in the role I play conveying the truths of this war to the public. Of course, 90 percent of the truth is lighting.” (100, cited below)
The somewhat cynical comments echo with our society which is obsessed with appearances. Models are photoshopped, a good logo keeps products in our memories, and a photo is able to shift entire perceptions of a conflict or event. The notion that 90% of truth may be determined by lighting certainly cannot refer to objective truth, but as far as perceived truth goes, it may be on-target in its emphasis on the way imagery can be manipulated to change our perceptions of truth. It is something to guard against.
Later, the same cameraman notes that a picture of a corpse may inspire revulsion or lawsuits, but “on the homepage of the New York Times, it could win you a Pulitzer Prize” (102). Again, these lines speak to the need to be wary of how our perceptions can shape reality as we see it. A self-critical attitude may help prevent some of the pull that someone may exert over us simply by shifting the perspective or lighting just a bit. I’m not calling for a shunning of imagery or anything of the sort–instead, I’m merely pointing out we need to be aware of how the way we view things visually may impact our beliefs, and be aware of the way that visuals may be manipulated.
The Shifting Sand of Human Experience
Keiji, as he experiences the looping of time, begins to contemplate the notion that humanity really is fleeting:
“Our lives should be written in stone. Paper is too temporary–too easy to rewrite.” (85)
The human condition is at the forefront in All You Need Is Kill because there is an urgency throughout the entire novel–how does Keiji end the loops, how might he escape the cycle, how could he end the threat to humanity? Put against the stark backdrop of extinction, Keiji’s reflection on human nature is poignant: humanity fades away. Our stories may be rewritten. If the alien race wins, there could be nothing left. Keiji longs for an experience of transcendence, a way to continue beyond the day-to-day activity of existing. He looks to be written in stone, but even that is not enough.
All You Need Is… Sacrifice
Ultimately, the only way to end the cycle is through sacrifice. Here is where the novel differs most radically from the film it inspired. Keiji is forced to kill Rita in order to break the loop. He must destroy that which he loves in order to save all of humanity. In a moving scene, Rita forces Keiji into battle with her in order to make him destroy her. As she dies from a mortal blow, she speaks to Keiji’s sacrifice:
“The Keiji Kiriya I know wouldn’t sacrifice the human race for himself.”
Keiji is forced to watch her die, realizing that it was the only way to save the human race. It is a sacrifice of the one for the many: a prioritization of the group over the individual. Though it is not explicitly a matter of self-sacrifice, in a way Keiji did just that: he gave up that which he loved most in order to save all of humankind. It is a theme which echoes powerfully with the Christian tradition.
All You Need Is Kill is a masterful piece of military science fiction. It is vulgar–often very vulgar–but it is also filled with themes that cause reflection and deep thought. It’s the kind of novel that sticks with you afterwards, forcing you to think on it. It challenges paradigms which you know hold sway. For the Christian, it teaches a theme of individual sacrifice being valued over individual satisfaction. To borrow from Anthony Weber in his overview, one may find echoes of John 15:13- “Greater love has no one than this, to lay down one’s life for one’s friends.”
“Edge of Tomorrow” – Sacrifice, Brutality, and Choice– I explore a number of themes found in the film based on this book. The two are very different, but reflect much of the same imagery.
All You Need Is Kill/Edge of Tomorrow– Anthony Weber looks over a number of themes in the book from a Christian perspective. If you read the book (or are planning to), check out this look in addition to the one you just read by me! Follow his site, because it is fantastic.
Hiroshi Sakurazaka, All You Need Is Kill (San Francisco: Haikasoru, 2004).
The preceding post is the property of J.W. Wartick (apart from quotations, which are the property of their respective owners, and works of art as credited; images are often freely available to the public and J.W. Wartick makes no claims of owning rights to the images unless he makes that explicit) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy.
I love science fiction. One of the main reasons is because it provides a medium for authors to share their philosophical outlook for the world. Some authors portray their vision of what the world would like like if…. and what fills in that “if” is that which the author would like readers to be wary of our condemn. For example, distopian fiction often takes some aspect of society and shows how if we allow it to run rampant, we will create a world wherein we would not want to dwell. Other authors use science fiction to portray an ideal (or nearly ideal) society and show how the things they are promoting or believe fit into that ideal society.
Ben Bova and David Weber are two of my favorite science fiction authors. Bova blends hard science fiction (sci-fi which is largely focuses upon the applications of science that is at least seemingly possible) with great storytelling. His “Grand Tour” series of books is the story of humanity spreading across our solar system and even finding life on mars and founding a colony on the moon. David Weber writes military science fiction on an epic scale, complete with amazing battles in space (and who doesn’t like some big explosions in space?). I was fascinated to see both authors interact with Christianity, particularly on a fundamentalist level, and see how they took that discussion.
David Weber’s book, The Honor of the Queen portrays its main character, a woman named Honor Harrington, becoming involved in a wartime crisis between two nations which are complementarian in nature. Complementarianism is the belief that women should not be ordained in the church and it is a very real and somewhat pervasive view within the Christian church today. I have discussed it and the rival view that women should be ordained/treated as equals (egalitarianism) at length elsewhere [scroll down to see other posts].
What really struck me is that David Weber fairly presented firm believers as a spectrum. He showed that believers can be reasoned with and even persuaded to believe differently based upon evidence. Furthermore, he showed that even those who may line up on the side with which he disagrees [presumably–I don’t know where he stands on the issue] are not all (or even mostly) blinded by faith or foolishness. Rather, although there are some truly evil and disillusioned people, Weber shows that many are capable of changing their position or at least acknowledging that rival views are worth consideration.
The most vivid portrayal of this theme is found in a conversation between Admiral Courvosier and Admiral Yakanov. Courvosier is from the same nation as Honor Harrington and wholly endorses his female officer in a position of command. They discuss Captain Honor Harrington:
[Yanakov responds to Courvosier’s question about his society’s reaction to Honor]: “If Captain Harrington is as outstanding an officer as you believe–asI believe–she invalidates all our concepts of womanhood. She means we’re wrong, that our religion is wrong. She means we’ve spent nine centuries being wrong… I think we can admit our error, in time. Not easily… but I believe we can do it.”
“Yet if we do[” Yanakov continues, “]what happens to Grayson [their world]? You’ve met two of my wives. I love all three of them dearly… but your Captain Harrington, just by existing, tells me I’ve made them less than they could have been… Less capable of her independence, her ability to accept responsibility and risk… How do I know where my doubts over their capability stop being genuine love and concern?”
The exchange is characteristic of the way Grayson’s people are treated throughout the book. They are real people, capable of interacting with other views in honest ways. They feel challenged by a view contrary to their own. Some react poorly, and there are extremists who are blinded by hatred and anger. Yet all of them are treated as people with real concerns shaped by their upbringing and backgrounds.
Honor Harrington ends up saving Grayson, and at the end of the book, she is commended by the rulers of that planet. She talks to the “Protector” [read: king/president]:
“You see,” [said the Protector] “we need you.”
“Need me, Sir?” [Responded Honor]
“Yes, Grayson faces tremendous changes… You’ll be the first woman in our history to hold land… and we need you as a model–and a challenge–as we bring our women fully into our society.”
Weber thus allows for even ardent supporters of specific religious backgrounds to respond to reasoned argument and to change. They are capable of interacting on a human level and deserve every bit of respect as those who disagree with them. Again, there are those who are radicals and will not be reasoned with, but they are the minority and they do not win out.
Weber therefore presents religious dialogue in The Honor of the Queen as a genuine interaction between real people from differing backgrounds. Those who are “fundamentalist” are capable of changing their views when challenged with a rival view which out-reasons their own. Religious dialogue is possible and fruitful.
Ben Bova’s whole “Grand Tour” series has a number of dealings with “fundamentalists.” He never really defines the term to be specifically Christian but one can tell when reading the books that it is pretty clear he is referencing hardcore fundamentalist evangelical Christianity.
I recently finished reading Mars Life, one of the latest in the series. The book focuses upon the continued research following the discovery that there was once once intelligent life on earth. There are major forces that are slowing down the exploration of Mars in the book. First, Earth is dealing with a number of major problems from global warming. There is flooding that has almost submerged Florida and other areas of the Midwest (in the U.S.) and the rest of the world is suffering even worse. Thus, people are wary of giving money to research on Mars when there is so much to do more locally. The primary impediment to Mars exploration, however, are the “fundamentalists” (again, an ill-defined term which seems to include some version of Christianity, given that they reference the Bible) who are actively working to cut off funding because they perceive the discovery of life on Mars as a direct threat to fundamental beliefs like anti-evolutionism and the like.
Bova’s treatment of extremist positions in religion is somewhat disingenuous in my opinion, particularly when one compares his portrayal with that of Weber. Bova tends to illustrate religious fundamentalists as a black and white issue. Basically, if you are a hardcore believer, you’re in it for power and control, you are willing to incite violence to achieve your ends, and you are incapable of reasoning. Again, note the contrasts with Weber’s depiction above. A few examples will help to draw this out.
On page 142 and following there is a discussion about putting together a panel to discuss the finding of a fossil on Mars. The interaction shows that no matter what, fundamentalists cannot accept scientific findings:
“Look,” said the bureau chief… “everybody’s calling it a fossil…. …”Call it an alleged fossil, then,” insisted the consultant (from the fundamentalists)… [The group then continues to suggest terms for the fossil:] “A probable fossil?” …”A possible fossil”… [Then, finally] “Say that the scientists believe it’s a fossil and until proven otherwise that’s what we’re going to call it.”
Here one can see that fundamentalism is intrinsically tied to an anti-science mentality. The key for them is to use words which deny absolutes, essentially skirting issues rather than discussing the truth. But that’s not all there is to it. Later on, one of the fundamentalists is engaged in a discussion about “requesting” that some lyrics in music they view as morally reprehensible be changed. The musician flat out refuses, angering the fundamentalist in the process. The section closes as follows:
[The musician] was shot to death at a Dog Dirt concert three months later. His killer surrendered easily to the police, smilingly explaining that he was doing God’s work.
What is interesting about this example is that it is illustrative of a number of such examples throughout the book. These are completely unrelated to the main plot. Rather, it seems what Bova is doing is very explicitly showing that fundamentalists are unafraid to use immoral tactics, censoring, and even incite violence in order to get their way. Theirs is an unquestioned and unquestionable faith. Those in power in fundamentalism are inherently evil and devious. They only want to control. Again, these asides are in no way tied to the plot of the book. It’s almost as though Bova is preaching a different worldview, one which views religiosity as inherently dangerous and violent, with few exceptions.
There is one positive example, however. A Roman Catholic, Monsignor Fulvio DiNardo, who is also a world-renowned geologist decides he wants to go to Mars to find the answer to a question about faith which is pressing on him. Namely, why God would exterminate an entire intelligent species. His thread in the story seems to show two things: first, that fundamentalism is inherently incapable of responding to reason; second, that it is possible to have reasoned faith and science together. The second point is illustrated very well when DiNardo is finally on Mars. He suffers from a likely stroke and is dying and begins a dialog with God:
Why did you kill them, Lord? They were intelligent. They must have worshipped You in some form or other. Why kill them? How could you–
And then DiNardo understood. Like a calming wave of love and peace, comprehension flowed through his soul at last… God had taken the Martians to Him! Of course. It was so simple, so pure. I should have seen it earlier. I should have known. My faith should have revealed the truth to me.
The good Lord took the Martians to Him. He ended their trial of tears in this world and brought them to eternal paradise. They must have fulfilled their mission. They must have shown their Creator the love and faith that He demands from us all. So He gave them their eternal reward…
The light was getting so bright… Glaring. Brilliant… Like staring into the sun. Like looking upon the face of… (297-298)
So Bova does offer a counterbalance to fundamentalism, and I appreciate that portrayal. Although DiNardo’s death and his revelation receives very little further comment (and no further comment at all on the revelation), it seems as though it is positively portrayed.
A reason for criticism is that Bova is uncompromising with fundamentalists. I’ve already drawn out his portrayal of them, and it seems to me to be a bit disingenuous. Although there are plenty on the “religious right” who would be all too happy to be able to legislate all morality, control the media, and deny well-attested scientific findings, I have hardly found that to be the majority. And certainly, fundamentalism is not a homogeneous entity filled with people who are trying to control everyone else. I’ll grant that this is a work of fiction, but in light of how Weber was able to handle a fairly similar issue with respectful portrayals of the ‘other side,’ I had hoped for more from Bova, whose work I enjoy greatly. For Bova, it seems, religious dialogue is not a real possibility, with few exceptions. Fundamentalists are incapable of reasoning and are barely even convinced believers; rather they are using their positions of authority within their organizations to consolidate power and execute their own prerogatives on their witless followers.
It seems pretty clear to me that David Weber provided a better model for utilizing science fiction in religious dialogue than Ben Bova did. The people representing the ‘bad guys’ in Weber’s book did have some who were truly evil and/or beyond reason, but also had many with whom reason resonated. When confronted with rival views, they were thoughtful and even receptive. On the other hand, the characters with whom Bova disagreed were a true black/white dichotomy with the “good guys.” Fundamentalists were bad. Period. He portrayed them as power-hungry, censor-happy maniacs. Although there was one notable exception (the Catholic priest, DiNardo), who showed a bright spot for “believers” at large, he was by far the exception.
It seems clear this study has applications for real-world dialogue about religion. When we interact with other worldviews, we should be capable of treating the other side with the same kind of dignity we would like to be treated. Although other worldviews may have their extremists who will not respond to reason, our attitude should be that of the humble friend trying to explore the beliefs of the “other.” The “other” is not that which must be demonized, but rather understood and with which to interact.
I explore the theological implications of life on other planets.
I discuss a book which will change the way you think about about the notion that religion is violent. It also deals with the notion of the religious “other” as a construct.- William Cavanaugh’s The Myth of Religious Violence.
Ben Bova, Mars Life (New York: Tor, 2008).
David Weber, The Honor of the Queen (New York: Baen, 1993).
The preceding post is the property of J.W. Wartick (apart from citations, which are the property of their respective owners, and works of art as credited) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy.