music

This tag is associated with 2 posts

Christian Discerment Regarding Music: A reflection and response

worship-in-churchI recently read a post which called for “discernment concerning the Christian music world.” The author, “EvangelZ” writes:

We have been told to be discerning in terms of what types of secular music to not assimilate into our minds if it is degrading, anti-Christ, and vulgar, to name a few.  But what about the call to be discerning concerning the Christian music world?

I agree wholeheartedly with this sentiment. We should–must–be discerning when it comes to what music we engage with. Our engagement with both Christian music and “secular” music (whatever these categories even mean) should be reflective of the content of that music. The list EvangelZ provided above is hardly comprehensive, but a good place to start. If our “Christian” music is “degrading” or “vulgar,” that would certainly seem to exclude it from any use in a worship service, and should be a strong reason against our integrating that music into our lives.

Indeed, I would contend that the content of the music should be essentially the criterion (with notable exceptions below) for the music deemed acceptable for a Christian to consume. Of course, there should be a real acknowledgement that some people have different levels of discernment or resilience than others (can we eat the meat offered in sacrifice to false gods or not? after all, it’s just some meat left out for some false idol? [see here if you’re not sure what I’m referencing]).

However, after this introductory comment, EvangelZ spent the rest of the post discussing how we should us discernment regarding Christian music by way of the lives of those who made the music. For example, one issue highlighted was Tim Lambesis’ (singer for “As I Lay Dying”) apostasy. Now, setting aside the issue of whether any “As I Lay Dying” song could even possibly be used in a worship service (although I like metal, I hardly think it lends itself to corporate worship and singing praises), what I want to briefly touch on is exactly this notion: should our discernment apply to content of the music or to the lives of the musicians (or, of course, both)?

After reading the post, I wrote a comment, and I’d like to just reflect on what I wrote there a bit more. I’ll reproduce my comment, in part, here:

[T]he criteria given for discernment in “Christian” music are pretty much all matters of personal character of the musicians, not the actual content of the music. I’m wondering why on the one hand it is content (“secular” music) but on the other (“Christian” music), it is the people producing the music. This raises a number of questions for me:

1) Why the difference in criteria?
=> 1A) Is it because music functions didactically and so we should be aware of who is “teaching” us through music?
=> 1B) If so, then do we need to know about the lives of every single person who has written a song that we use in worship before we are able to use it?
2) If we are to use character as a criteria of discernment for worship music, does that not essentially mean we can’t use any music?
=> Explanation: everyone is a sinner in the process of sanctification, so by default anyone who has written a song we use in worship has still sinned.
=> 2A) Or is the issue simply unrepentant sin?

I think all of these questions are issues we must deal with as we consider the need for discernment in whatever music we listen to. I’ll provide a brief reflection on each issue I raised in these questions:

1) I am unconvinced that there should be any difference in our criteria for discernment when reflecting on Christian or “secular” music. Part of this is because I’m not sure such a dichotomy actually does exist (see here), and part is because I don’t know why such a distinction should exist.
1A) If we grant that hymns or music used in church functions didactically–as teaching–then perhaps a case could be made, but I think, abstractly, the content should once again be the ultimate judge of whether a teaching is good (or not).
1B) Because we cannot feasibly be required to know about the lives of all who write the music we listen to, this cannot serve as a viable criterion for discernment. Perhaps exceptions could be made in those cases wherein we do know something should (and what does “should” mean here?) disqualify one (i.e. I could see the knowledge that ‘the person who wrote this hymn is a satanist’ as a perfectly sound reason for not using a hymn), but one cannot realistically be expected to know about the lives of every single artist who writes any part of our hymnody (or music generally).

2) Because all are sinners, if character is a criterion for discernment, it would seem that all are disqualified.
2A) However, perhaps the qualification could be made that it is merely persistent, unrepentant sin which should disqualify one. But then one has muddied the waters via 1B again.

Thus, I think that for Christians, the best way to use discernment is to apply the truths of the Bible to the content of the music. We cannot realistically be expected to know the backgrounds of every individual who writes the music we may listen to or use in worship, and with the caveat noted above, I think the criterion simply should be the content–the lyrics–of the music. How do we analyze the content? Well I think there are a number of factors, including those rightfully noted above by EvangelZ. God’s revelation in Scripture and the gift of conscience should be our guides.

Links

Be sure to check out the page for this site on Facebook and Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies and more!

On Christian Music– I reflect on the category of “Christian Music” and whether it is even a functionally helpful tool.

Engaging Culture: Demon Hunter’s “Extremist” and the Apologetic Task– I discuss the latest album from Demon Hunter and how music may act as an apologetic endeavor.

The Call for Discernment Concerning the Christian Music World– Be sure to read the post to which I responded here, and see what you think of their reasoning. I think this is an issue worth discussing.

SDG.

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The preceding post is the property of J.W. Wartick (apart from quotations, which are the property of their respective owners, and works of art as credited; images are often freely available to the public and J.W. Wartick makes no claims of owning rights to the images unless he makes that explicit) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy.

 

On Christian Music

dh-extremistA recent tragedy has forced me to reflect a bit on the notion of “Christian Music.” This recent tragedy was the professedly Christian lead singer of the band “As I Lay Dying” being arrested for plotting to murder his wife. Then, later, admitting that he was no longer a Christian and kept the label as a way to sell records. Now this is a horrible, tragic situation and we shouldn’t downplay it. We should stay in prayer and hope that God leads him back to Christ. We should also learn from it. I simply want to reflect on the category of Christian music and, as a parent (with my first not yet born), think about how I may guide my children’s choices (and my own) when it comes to music.

The Category of Christian Music

One question that comes up from this story and something I’ve frequently thought about is whether the category of “Christian Music” is even a category that should exist. It has been noted by others that this label may serve as an excuse for sub-par musical talent to sell records by having Christian lyrics. As someone who frequents Christian bookstores, I would say this, at times, may not be far from the truth, but there are many extremely talented musicians who carry this label with pride.

I do wonder, however, whether the label just becomes that: a label. It may not reflect the actual content of the lyrics or music (as is admitted in the case of “As I Lay Dying”), but parents feel comfortable picking up a CD from that section simply because it gets called “Christian.” I think that’s not the greatest practice (more on this below). Another problem is that the label of “Christian Music” implies a wholly separate and distinct category of “non-Christian” music, which does not seem to be accurate. So-called “secular” music is often performed by or written by Christians and reflects that.

An ideal world, in my opinion, would be one in which Christian musicians simply played music and had their music on the shelves next to non-Christian music, where someone might get their redeeming lyrics. For now, it’s shoved in the corner of the music section away from all the others. Rather than labeling ourselves “Christian” musicians, why not just play music, and let our worldview flow through it? (I have similar thoughts about “Christian fiction” and the like.)

Doing the Grunt Work

A case like the “As I Lay Dying” scenario brings up another issue. Namely, we should be examining the lyrics of everything we listen to. We need to do the grunt work and examine what we consume to see whether it builds us up as people of God or not. As parents, we should not just assume a so-called Christian artist has lyrical content of value. Instead, we need to do the work and see what the artists are saying so that we can make informed choices. More importantly, we are to raise our children in a way that they make wise choices with what they consume when they get to the age where we feel we let them make their own choices. It’s a huge responsibility, and one I feel very strongly for my child already, even before he or she is born!

Thoughts

I don’t think the label “Christian Music” is going to go away. In some ways that could be a good thing, but I think that we should do due diligence in whatever we consume and assure that it is something that builds us up. I’ve put the album art from a recent album from Demon Hunter up on this post because I think that group exemplifies the character of a Christian band. Their lyrics are a reflection of their worldview. Rather than being praise music, it is music and lyrics which demonstrate the Christian worldview and the struggles of faith. See the links for some more discussion of this.

To sum up, I think we should just examine whatever we consume. Moreover, we should respect Christian artists who are operating on the shelves of “Rock” or “Pop” rather than in the “Christian Music” corner of the store. Why? Because they are letting their faith work through their music without that label. I’m not at all saying those who aren’t doing that are somehow less valuable. Instead, they ought to seek to ensure their content is truly reflective of the label they have received or given themselves. Moreover, all Christians should seek to guard themselves and walk a life of prayer and one of seeking God.

What are your thoughts? I admit I’m no expert in this area, so I’d love to read what you have to say in the comments below.

Links

Be sure to check out the page for this site on Facebook and Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies and more!

Engaging Culture: Demon Hunter’s “Extremist” and the Apologetic Task– I discuss the latest album from Demon Hunter and how music may act as an apologetic endeavor.

Ryan Clark Interview– Ryan Clark of “Demon Hunter” discusses one of their recent songs, “The Last One Alive” and how it reflects his faith.

7 Things Christian Parents Can Learn from the Tim Lambesis Story– What can we learn from the tragic story of a Christian band leader who turned atheist and tried to murder his wife? Check out these great insights from Natasha Crain.

SDG.

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The preceding post is the property of J.W. Wartick (apart from quotations, which are the property of their respective owners, and works of art as credited; images are often freely available to the public and J.W. Wartick makes no claims of owning rights to the images unless he makes that explicit) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy.

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