Movies

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“Jurassic World”- A Christian Perspective: Gender, Dinosaurs, and Genetic Engineering

See this? This is what would have happened if we'd lived with dinosaurs.

See this? This is what would have happened if we’d lived with dinosaurs.

I had the chance to watch “Jurassic World” this weekend. It was pretty cool to see the dinosaurs back in action on the big screen. I enjoyed the tie-ins to the previous movies as well. Here, I will reflect on some of the worldview issues the movie raised. There will be SPOILERS in what follows.

Genetic Engineering

I’ve reflected on genetic engineering of humans in the past, but Jurassic World brings up some other difficulties that would perhaps be brought about by such a practice. Unintended side-effects were part of what created the Indominus Rex, a truly terrifying beast that had aspects of all kinds of different dinosaurs mixed into it to make it scarier.

I am by no means an expert on genetic engineering, but I do wonder whether tampering with the human genetic code could lead to some unintended side effects as well. Is it possible that our messing around with certain factors could deeply impact others? If so, what might that suggest about the moral status of genetic engineering?

Dinosaurs Would Kill People!

Jurassic World is not a friendly place for humans. Carnivorous dinosaurs–and even herbivorous dinosaurs–would be extremely dangerous to humans to say the least. Sure, the Velociraptors would have been smaller, and there is no Indominus Rex, but there were Ultraraptors and Giganotosaurous and the like. Why care about this from a worldview perspective? Well, most simply, because it seems that any worldview which would suggest that humans and dinosaurs managed to survive alongside each other has some serious difficulties with which to deal if it is to be believed. The young earth creationist position does hold to this exact view: that humans and dinosaurs at one point lived alongside each other.

Perhaps the young earth creationist would simply argue that the really powerful and dangerous dinosaurs did not exist alongside humans. The Earth is indeed a massive place–perhaps God simply ordered things such that the T-Rex and the human were not living in the same area. This counter-argument has some power to it, but then we must consider the very foundation of the young earth perspective: that this view is allegedly based on the Bible. Yet the authors of the Bible are allegedly aware of dinosaurs, according to some young earth creationists, and used words like behemoth to describe them [I do not think this is a legitimate interpretation; the behemoth is not a dinosaur]. In that case, it seems that such dinosaurs did indeed live alongside humans.

Moreover, the question would have to be asked of what biblical evidence there is for such convenient ecological sorting that would keep dinosaurs from utterly obliterating humanity.

Men and Women

There are a number of issues with statements or assumptions about gender that come up in the movie without being addressed. Why does Claire keep her high-heels on the whole time and how do they not break? Is it for the sake of the viewer? What about Zach’s continual lusting after the young women his age when he has a seemingly loyal girlfriend back home?

Interestingly, it is Claire who ultimately saves the day, despite Owen seeming to be the hero throughout. Her quick action to grab T-Rex to fight Indominus was a good turnabout on the expectations the movie built up regarding men and women.

Are You Not Entertained?

The investors in Jurassic World were worried that the profit margins weren’t as high as they had hoped. The answer was, as argued by Claire, was to genetically modify the dinosaurs to make them more fearsome and interesting. There was something deeply ironic about this because the movie almost seemed to be referencing itself: perhaps people have gotten bored by seeing T-Rex doing stuff: they need INDOMINUS!

I was thinking about how this might reflect on our culture and our insatiable need for newer, bigger, and better. But is this a true need or is it something that we are using to fill the voids in our world? I think too often we try to fill the holes in our view of reality with the wrong things, and the ironic commentary here–intended or not–was well-taken.

Conclusion

Jurassic World is not a movie made for deep reflection on the various issues it raises. But the fact that it does raise this issues is, in itself, interesting and worth thinking about. What are your thoughts on the movie? What of genetic engineering, gender issues, or humans living with dinosaurs?

Links

Be sure to check out the page for this site on Facebook and Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies and more!

Movies– Read other posts on this site about movies written from a worldview perspective. (Scroll down for more.)

SDG.

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The preceding post is the property of J.W. Wartick (apart from quotations, which are the property of their respective owners, and works of art as credited; images are often freely available to the public and J.W. Wartick makes no claims of owning rights to the images unless he makes that explicit) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy.

“The Giver”- Hope, Freedom, and Suffering

the-giver-movieI recently got “The Giver” from the library. I remember quite enjoying the book but admit I haven’t read it in… well over a decade so I didn’t remember it hardly at all as I watched the film. I enjoyed the movie and have taken the time to reflect on it here. There will be SPOILERS for the movie in what follows.

Freedom

One thing that humanity in this apparently post-apocalyptic world lacks is freedom. They take drugs to prevent emotions, demand “precision of language” that eliminates the use of words like “love” from the vocabulary, and live under a set of rules in which sameness is not only encouraged but enforced. It is only “The Giver” and “Receiver” who know what humanity used to be like, with all the joys and sorrows that accompanied it.

Perhaps the most prevalent theme throughout the movie is the notion that this loss of human freedom, though it apparently ensures survival of the species and eliminates much evil, is itself doing great harm to humanity. People commit infanticide and euthanasia without even having knowledge of what they are doing. A kind of blissful ignorance surrounds acts that would be considered morally barbaric. But the people’s ignorance means that it is more sad than appalling at first.

The film asks us to reflect on our own nature and think what we have done with our freedom. How have we used our freedom of choice to bring about good or evil? Is it worth sacrificing this freedom in order to have a facade of civility and “ending” of suffering.

Suffering

A theme that is extremely prominent in the movie is the notion that freedom leads to suffering. This is not because freedom is inherently evil or painful, but rather because humanity so often uses freedom to bring about suffering. As noted above, the society in which people live seems to be free from evil, but has real atrocities being committed even without knowledge of the magnitude of the actions.

The movie itself is a kind of exploration of the problem of evil and the “free will defense” to this problem. Supposing that our world was created by a benevolent being, why is there evil? The answer in “The Giver” seems to be that we have used our given freedom to bring about great wrongs. Even when we attempt to create our own perfect society, that society remains inherently corrupt. We have squandered our freedom.

Hope

What “The Giver” paints is a picture of humanity as being inherently good; not in the moral sense in which we are perfect, but in the sense that humanity as created–along with the freedom of the will to use for good or ill–is a good thing. At once this hearkens back to the notion of a “very good” creation by God in the beginning and also looks forward to a day of hope.

Jonas’ actions to bring back emotions and memories to humanity is a quest of salvation. It is salvation from a kind of hell that humanity built for itself, putting up walls around the very things that could be used for good. The answer to the problem of evil is a solution from the “outside.” From beyond the capacity of the humans themselves, salvation was brought to them in the restoration of their free will. Yet the ultimate hope remains fleeting: the hope for a world in which suffering can be brought to a final end.

Conclusion

“The Giver” has a kind of eschatological scope in its study: a human-made utopia has failed. Can there be better waiting for us? With questions of free will, the problem of evil, and more in view, it is a worthy movie to watch and discuss.

The image in this post is an official movie poster and is used under fair use.

Links

Be sure to check out the page for this site on Facebook and Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies and more!

Movies– Read other posts on this site about movies written from a worldview perspective. (Scroll down for more.)

The Hunger Games (category)– Like Dystopia? Check out my posts on the Hunger Games series of books and movies.

SDG.

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The preceding post is the property of J.W. Wartick (apart from quotations, which are the property of their respective owners, and works of art as credited; images are often freely available to the public and J.W. Wartick makes no claims of owning rights to the images unless he makes that explicit) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy.

“Interstellar”- A Christian Perspective on the Film

interstellar“Interstellar” is the latest from the acclaimed Christopher Nolan. A sprawling epic, it delves into some of the deepest questions we face. Here, I will reflect on the film from a worldview perspective. There will be SPOILERS for the movie in what follows.

A Crisis

Humanity must face the slow creep of possible starvation and suffocation on the Earth of “Interstellar.” The “blight” is impacting crops and has caused the death of 6 billion people. It is unclear as to what this “blight” is but it clearly means that humans will not survive if it continues. The question is of our mortality, and although it never becomes explicit, it seems that “blight” could be some kind of analogy for climate change and the problems we may bring upon ourselves.

But humanity’s crisis is not merely mortal; it is also moral. A few hints are offered of this, but the most poignant is when Dr. Amelia Brand spoke to Cooper about how evil does not exist in the places humans are going (at times one-by-one) to explore. She argued that nature itself is not evil; morality is a transcendent concept. The way that it is transcendent is unexplained.

Another aspect of the crisis is epistemological–as the crisis continues, people have rewritten history in order to avoid glorifying space travel. Cooper struggles to form concepts of seemingly transcendent ideas in a universe that he strongly believes is entirely explicable based upon science. The questions these ideas bring up should be clear: how do we know anything?

We’re So Tiny

I watched “Interstellar” in IMAX, and one of the most beautiful scenes was when the Endurance was shown against the backdrop of Saturn. It was a mere speck–a speck of a speck. It poignantly drove home a point that was found throughout the movie: We are tiny. But this message was not found alone; instead, it was juxtaposed against the continued focus on humanity and our struggles to survive in the universe. In a way, though we’re tiny, in “Interstellar,” we’re what is important. Humanity is what it’s all about. Or is it? It seems that the question is ultimately left open; perhaps there is transcendence beyond us. Our (minuscule) place in the universe may point beyond it.

Who Helps Us?

The question is another which is found through the film. Where did the wormhole come from? Cooper assumes that it is from a future humanity–we save ourselves!–but reflection seems to show this cannot be the case. After all, if the wormhole were not there, humans would have had no way of surviving; no future. Perhaps Dr. Brand is closer to the truth, because she argues that love is a transcendent concept which goes beyond space and time. It cannot be fully explained by our calculations.

The film never goes beyond this kind of stirring question, and Cooper’s assumptions are offered as one possible explanation for many questions: perhaps humans do rule all, and perhaps they are the end-all. But realistically, the ultimate questions of morality, the origin and power of love, and some others remain unanswered. I think that’s certainly intentional–it allows viewers to form their own conclusions–but the reality of the situation is that Cooper’s purely scientistic worldview (his notion that science is ultimately the only possible explanation) find itself inadequate to explain reality.

Conclusion

Some have argued that “Interstellar” is merely a secular humanist manifesto, but it seems to me the story is much deeper than that. I have argued above it leaves open several questions about the nature of humanity, our crisis, and the transcendent. Whatever else is said about the film, it is one that will start conversations and one with which, I would argue, Christians need to be conversant. It’s a fabulous space epic that is a must-see.

What are your thoughts? Share your own perspectives in the comments.

The image used in this post is from an official movie poster. I claim no rights to it and use it under fair use.

Links

Be sure to check out the page for this site on Facebook and Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies and more!

Movies– Read other posts on this site about movies written from a worldview perspective. (Scroll down for more.)

Like sci-fi movies? Read about another one I really enjoyed in my look at “Edge of Tomorrow.”

SDG.

The image used in this post was a movie poster and used under fair use. I make no claims to the rights for the image.

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The preceding post is the property of J.W. Wartick (apart from quotations, which are the property of their respective owners, and works of art as credited; images are often freely available to the public and J.W. Wartick makes no claims of owning rights to the images unless he makes that explicit) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy.

“The Hunger Games: Mockingjay Part 1″- A Christian Perspective

mockingjay-p1“The Hunger Games: Mockingjay Part 1″ is yet another blockbuster hit in the Hunger Games Trilogy. Here, I will reflect on a number of themes found in the movie, drawing out places the film resonates with the Christian worldview. There will be SPOILERS in what follows.

Social Contract?

The concept of a “social contract” theory of government is put forward by President Snow. At one point, he is speaking out for peace (ironically, while executing several prisoners), and his argument is that the Districts are in a contract with the Capitol, which is to provide “order” and justice.

The scene is deeply ironic–and meant to be. It shows what is inherently wrong in a system which relies upon a contract (in this case, one that a side is forced into) as the basis for morality. Simply having such a contract does not, in and of itself bring about a moral system. Ultimately, people are able to distort meanings of terms and ask things like “what does ‘order’ mean?” and change it to suit their needs. The only sound basis for morality is something which cannot be changed on a semantic issue or on the whims of the masses.

If We Burn, You Burn With Us!

There is such a strong sense of injustice that pervades the film that I think little time has been spent thinking on this phrase that has become somewhat a tagline for the movie: “If we burn, you burn with us!” It’s a kind of “eye for an eye” statement which seems at first to have some sense of retributive justice but perhaps ultimately falls into a kind of self-administered vengeance. However, when one probes more deeply one wonders whether it is a species of a “just war” argument.

Such an argument opens up all kinds of avenues for debate, but I think it ultimately does come down to the question of which is greater injustice: allowing a clearly evil system to continue interminably, or stopping it with the only means that can bring about change. It’s a thorny issue, but one I think Christians should consider thoughtfully.

Slaves Among Us

Finnick Odair, one of the Victors, was sold by President Snow into sex slavery. It’s an extremely uncomfortable issue, but one I am glad the film raised. Snow used the threat of violence against loved ones to force Finnick into this system–a disgusting evil. Unfortunately, the reality of sex slavery, including for children, is an extremely real and pervasive vileness that continues in our present age. The United States has many hot spots for sex slavery, and it continues abroad as well. We must work to end this horrific injustice and bring down the systems of evil that help prop it up.

Conclusion

“Mockingjay Part 1,” like the Hunger Games titles before it, brings up many issues for Christians to consider. I encourage you to see it and discuss it with others. Let me know what you think in the comments! Check out the links below for a number of my previous discussions of other films and books in the series.

Links

Be sure to check out the page for this site on Facebook and Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies and more!

Christian Reflection on The Hunger Games Trilogy– I discuss the entire Hunger Games Trilogy, with a number of comments upon the themes and events found therein.

The Hunger Games Movie: A Christian Perspective– I wrote about the movie, “The Hunger Games” and provided some insight into what Christians may take away as talking points from the film.

“Catching Fire”- A Christian Reflection on the Film

The image is from an official movie poster and I claim no rights to it. I use it under fair use.

SDG.

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The preceding post is the property of J.W. Wartick (apart from quotations, which are the property of their respective owners, and works of art as credited; images are often freely available to the public and J.W. Wartick makes no claims of owning rights to the images unless he makes that explicit) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy.

“The Railway Man”: Forgiveness is more powerful than hate

The-Railway-Man-2013-movie-posterForgiveness is Stronger than Hate

“Railway Man” is a film based on a true story about WW2 prisoners of war held and tortured by the Japanese. There are SPOILERS in what follows.

Colin Firth plays Eric Lomaz, one of the prisoners. He struggles with PTSD and his wife tries to help him through it. Ultimately, he finds that Takashi Nagase, one of the Japanese soldiers who tortured him, is still alive. He goes back to confront Nagase with malignant intent, but cannot bring himself to kill him. Instead, he goes back to the United Kingdom after the confrontation. Nagase writes to Lomaz in apology and of how he is working towards reconciliation. In the final scene, Lomaz returns with his wife to speak to Nagase, thank him for his work on reconciliation, and offer forgiveness.

The way this film plays out therefore offers a powerful apologetic for the Christian worldview, which values forgiveness very highly. Nagase turned to Buddhism to try to make penance for his sins and work towards reconciliation, but only in the act of forgiveness is any comfort found. True reconciliation is found in the act of forgiveness and the realization that only by acknowledging the incapacity of humanity to work off their sins might one come to the free gift of grace. Nagase is redeemed, but he is redeemed through the free, unmerited forgiveness offered by Lomaz.

Here we have a powerful message which, though never explicit, speaks of the Christian worldview and power of forgiveness.

Conclusion

I was greatly moved by this film. Christians can reflect much on the power of forgiveness and the need for reconciliation from the film. There are a number of themes running throughout “The Railway Man” which have not been discussed here, so feel free to bring more up in the comments. It is a film with great power, and I recommend you watch it.

Links

Be sure to check out the page for this site on Facebook and Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies and more!

Movies– Read other posts on this site about movies written from a worldview perspective. (Scroll down for more.)

SDG.

The image used in this post was a movie poster and used under fair use. I make no claims to the rights for the image.

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The preceding post is the property of J.W. Wartick (apart from quotations, which are the property of their respective owners, and works of art as credited; images are often freely available to the public and J.W. Wartick makes no claims of owning rights to the images unless he makes that explicit) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy.

“The Monuments Men” – An Apologetic of Culture

monumentsmen“The Monuments Men” is a film based on a true story of a group of soldiers sent to salvage cultural artifacts from destruction by the Nazis. Here, we’ll analyze the film from a worldview perspective. There will be SPOILERS in what follows.

Aesthetics

One question the film puts front and center is this: “Of what value is art?”

The question is put in a number of poignant ways, such as a moving scene in which Donald Jeffries is killed in an effort to protect Michelangelo’s Madonna and Child. The scene is powerful because Jeffries finds his value in his efforts to defend and preserve this beautiful art. He writes a letter to his father about the value of defense of such a work of art, which is overlaid with the imagery of him being killed by a Nazi officer.

Claire Simone works against the Nazis to try to protect and preserve the ownership of art. Her recognition of the importance of these pieces of history to those who collected them is a recognition of the power of the human mind to transcend the mundane.

The power of art to shape humanity, or even become a monument to humans–a way to transcend–is front and center throughout the film. The question that is then begged is this: if the natural world is all which exists, whence the transcendence? Where or to what might the transcendence point?

History and Life

History is important aspect of human life. Long have various cultures held notions that if one’s name were erased from historical record, it was as if one never had existed. The driving force to be remembered is a powerful one in human life, but perhaps it is also something which drives us towards art.

By collecting the art and stealing the works from their rightful owners, the Nazis were essentially attempting to rewrite history and capture the cultural past of those who owned or produced the art. There is a powerful message behind this of the need to be aware of how history is shaped by even those who are writing it.

Argument from Aesthetics?

How is it that humans recognize the value of art, or, more abstractly, of beauty? Some would allege that it is merely something we assign to things. The value is entirely a construct. In some ways that seems true, but there is something inherent in the notion that beauty–that art–is something which it is a great evil to destroy or take from someone else. Beauty is in the eye of the beholder, but it is also something which points beyond itself, to the transcendent.

The very possibility for recognizing that which is beautiful itself cries out for explanation. Whence the need for, dedication to, and recognition of beauty? A Christian would point beyond these towards God. Without the actual existence of the transcendent, there is little possibility for explaining the capacity for humans to reach out and grasp it.

Conclusion

“The Monuments Men” is a very solid flick to explore from worldview perspectives. It’s not as action-packed as most war movies, but it is more thoughtful and because of that it is in many ways more compelling. Perhaps most interestingly, it offers a view of the arts as something concrete, to be appreciated, and perhaps even transcendent.

Links

Be sure to check out the page for this site on Facebook and Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies and more!

SDG.

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The preceding post is the property of J.W. Wartick (apart from quotations, which are the property of their respective owners, and works of art as credited; images are often freely available to the public and J.W. Wartick makes no claims of owning rights to the images unless he makes that explicit) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy.

Book Review: “The Stories We Tell” by Mike Cosper

swt-cosper

Mike Cosper’s The Stories We Tell presents a look at the visual arts of television and movies from the perspective of what they tell us about ourselves and people.

Cosper analyzes several television shows from Mad Men to Project Runway and looks at themes with redemptive value. He doesn’t present a one-size-fits-all picture of how individual genres or specific movies or shows reflect all one specific picture, but rather analyzes the stories told in these forms of media from the perspectives of various aspects of the Christian worldview. These include themes of creation, sin, redemption, love, the fall and success of heroes, and more.

This holistic vision of analyzing stories in TV and at the movies allows readers to open their own avenues for perspectives and reflection in ways that not all books on a topic like this provide. Not only that, but Cosper’s writing is genuinely fascinating. I haven’t watched most of the television shows he discussed, but his presentation of them was enough to allow me to feel as though I knew what was happening and even got me deeply interested in the stories he described. This is not just a good book on how to discuss movies, but it’s also a genuinely interesting overview of a number of stories, whether they’ve been encountered already or not.

Another excellent insight Cosper provided was his look at whether certain stories, movies, and television are appropriate for Christians. He presented a very balanced and insightful look at this topic. First, he noted that the question “how far is too far” is often used to draw boundaries either to allow oneself to get as far as possible or to try to denigrate or call out others. Then, he used two examples of the extremes when it comes to appropriateness: the “overanxious teenager” who wants to get right up to the boundary in order to see as much as they can and the “church lady” who wants to stand as judge to show how others are sinners. He uses these examples to great effect, but does not leave it merely at that. He argues that either extreme is mistaken and also offers a way for Christians to explore appropriateness of various shows and movies.

Conscience and community are to be our guideposts when it comes to the appropriateness of media. Conscience allows us to have an inner arbiter of whether something is appropriate: “If you’re struggling with whether to watch something, ask yourself if you’re sturrling against a conscience that knows better” (Kindle Location 671). A community will help as well by offering a group of others with different experiences and advice. The community will only be helpful, however, if one commits to being honest about viewing habits and having friends who are willing to confront one over the viewing. I found this to be remarkably insightful and Cosper’s perspective on appropriateness is a solid way for Christians to evaluate their viewing habits.

There are many books about Christianity and visual arts like movies and television. Mike Cosper’s The Stories We Tell manages to set itself apart by presenting detailed looks into several different movies and television shows, while also presenting a vision for how Christians may interact with and even produce these forms of media. It comes recommended.

Disclaimer: I received a review copy of the book through Crossway. I was not obligated by the publisher to give any specific type of feedback whatsoever.

Links

Be sure to check out the page for this site on Facebook and Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies and more.

Book Review: “Hollywood Worldviews” by Brian Godawa– Speaking of worldviews in the movies, why not check out my review of this book which seeks to provide a method for analyzing film from a worldview perspective? Let me know what you think.

Engaging Culture: A brief guide for movies– I outline my approach to evaluating movies from a worldview perspective.

I have a number of ways in which I have critically engaged with culture in movies, books, and other arts in my posts on current events (scroll down for more posts).

Source

Mike Cosper, The Stories We Tell (Wheaton, IL: Crossway, 2014).

SDG.

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The preceding post is the property of J.W. Wartick (apart from quotations, which are the property of their respective owners, and works of art as credited; images are often freely available to the public and J.W. Wartick makes no claims of owning rights to the images unless he makes that explicit) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy.

“Elysium” – Our Hopes, Greed, Class, and Suffering

elysium“Elysium” is one of a string of recent action flicks which have taken to exploring bigger issues than how to make the biggest explosion. Here, we’ll look at some themes in the movie and reflect on how they might resonate with the Christian worldview. There will be SPOILERS for the film in what follows. I will not summarize the plot, though a summary may be found here.

Greed and Suffering

The story seems to center around the issue of greed. After all, the premise is essentially that human greed leads to great suffering. The question of whether there is a moral obligation to end suffering is front and center in the movie. The citizens of Elysium live a life of luxury, conveniently located far away from the strife that inhabitants of Earth must undergo. There is a clear and obvious dichotomy between the lives of the people planetside and those on the space colony.

It’s a premise which seems obvious, but there is a twist in the film, which impacts the force of this question. Once the final outcome is determined, and the reprogramming of citizenship is brought about to include all people, Elysium’s automated defenses and medical robots immediately begin helping the people of Earth. Medical shuttles are dispatched with instant-healing devices to help the new citizens. This twist throws a wrench into the reasoning of the question of obligation to end suffering: what if one has nothing to lose in order to help others?

Thus, the question goes beyond mere greed. It is a question of how humans will seek to hold on to what they have, even when it costs nothing to help others. It’s a poignant way to portray the issue, and one which forces viewers to think upon their own attitudes regarding what we have and seek to hold on to.

Of course, this portrayal of the issue doesn’t take away from the question of whether there is an obligation to end suffering. I think the answer, from a Christian perspective, is that we of course do. Then, the question must be asked of how to best alleviate suffering. These and other questions are raised by the film, and in ways which provoke much continued thought.

Class

The issues of greed and suffering are also bookended in the film by the question of class. Even on Earth, where poverty seemed to be ubiquitous, class was an issue. There were those with jobs, those who begged, and those who turned to crime. The sharp distinction between citizens of Elysium and those of Earth makes the point even more obvious. Once again, as Christians, we are forced to ask how we might address this issue of inequality. There are to be no such distinctions in the body of Christ (Galatians 3:28), so how might we help to work towards ending racial, class, and other inequalities on Earth?

Hope

There is a constant theme of hope in what seems like a hopeless world. The people of Earth realize that help could come from Elysium, but they must get there first. They turn their hope to the stars, but there is a Nun who educates the young Max that there is beauty on Earth as well–beauty in humanity, despite our fallen nature.

Conclusion

“Elysium,” though featuring some objectionable content, is a film with much to ponder from a Christian perspective. How are we to approach other humans in a way which doesn’t undermine their dignity? We are to work to end suffering, to bring about equality. We are to prevent a scenario like “Elysium” from ever happening.

Links

Be sure to check out the page for this site on Facebook and Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies and more.

Engaging Culture: A brief guide for movies– I outline my approach to evaluating movies from a worldview perspective.

I have a number of ways in which I have critically engaged with culture in movies, books, and other arts in my posts on current events (scroll down for more posts).

Elysium: Fighting for Paradise– Anthony Weber addresses a number of other worldview issues brought up in the movie on his fantastic site, Empires and Mangers. Be sure to follow his great blog.

The picture in this post is from a movie poster and I use it under fair use. 

SDG.

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The preceding post is the property of J.W. Wartick (apart from quotations, which are the property of their respective owners, and works of art as credited; images are often freely available to the public and J.W. Wartick makes no claims of owning rights to the images unless he makes that explicit) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy.

An Apologist’s Insights on “God’s Not Dead”

gods-not-deadI recently had the chance to watch “God’s Not Dead,” a film which presents a story in which a college student decides to take a stand for his faith against the pressure of an atheistic philosophy professor. A summary of the plot may be found here. As an apologist with an MA in the field, I thought my comments might help provide some insight into the film. I’ll offer a look at some aspects of the film which I wanted to address. Feel free to chime in in the comments with your own thoughts.

Apologetics

The movie presents a clear picture of the need for apologetics. When challenged by attacks on the faith it is important to always have a reason for the hope within (1 Peter 3:15). Josh Wheaton–the protagonist–put together a decent presentation of various evidences for theism in the snippets that viewers get through the film. Of course, these are very simplified and don’t address several major issues with the arguments, but it gets the point across. It also, I have noted through conversations with others, spurred much interest in the area of apologetics. That’s awesome!

That said, I think there are some issues with even the arguments presented in the film. First, after Wheaton has presented the cosmological, design, and other arguments for theism, he is challenged by Professor Radisson on the notion that one just has to choose between atheism and theism. Wheaton acknowledges that yes, it is a choice. Now, there are a number of issues with this portrayal. First, it treats the balance of evidence as a kind of 50/50 proposition, which is, I would think, hardly the position of anyone. Second, it presents a view of belief in which we can just choose what we believe. This is called “doxastic voluntarism” which is a fancy way of saying that one can believe propositions at will. But that is a highly controversial position (just try to force yourself to believe that “Fairies fill my refrigerator every morning” and you’ll see the folly of it) and also flies in the face of biblical accounts of what faith is. Third, here I’ll tip my bias a bit and say I’m fairly well convinced that the balance of evidence is hardly 50/50 but actually compelling.

Another difficulty with the apologetic in the film is that it seems like the lynchpin argument offered was actually just a point of rhetoric. Wheaton presses Professor Radisson and asks “Why do you hate God?” and follows it up with [paraphrased]: “How can you hate someone who doesn’t exist?” This is the last straw and what prompts the class to vote by standing to say that “God’s not dead.” Although I think rhetoric has a clear place in the Christian apologetic (and has since the earliest times: see the apologetic works of Lactantius and Arnobius in the 200-300s AD), I thought it was an odd choice to make it the climactic argument for God. Perhaps it was because this added to the drama of the moment–and I suspect that’s right–but it did so at the cost of detracting from whatever apologetic the film could put forward.

I did, however, appreciate the interaction with some top scholars like Hawking and Lennox. I think it is very important for Christians interested in apologetics to read the top scholars in their fields in order to best get acquainted to the arguments.

Characters or Caricatures?

The way the Muslim father was portrayed was problematic. In the beginning of the film we see him dropping off his daughter and showing great concern for her. Later, he shares an intimate discussion of his faith and the importance of obedience in his background. But then, when it is revealed his daughter has converted to Christianity, he not only kicks her out of the house, but he also immediately hits her more than once. Now, I make no claims to being an expert on this, but I know from anecdotal evidence only that people are indeed kicked out of their homes for converting to Christianity (and sometimes for deconverting), and this is surely a bad thing. It’s not a bad thing to address this as an issue.

But the problem I saw was that the Muslim father’s immediate reaction was violence, without any explanation or any background for thinking this would be a reaction. The rest of the film up to this point had shown him as a caring father who was concerned for the faith and well-being of his daughter. To have him immediately turn to violence when she converted was jarring and I think it speaks to our cultural presuppositions about the religious “Other” to portray the “Other”–the Muslim–in that way. We need to move beyond such stereotypes and into genuine dialogue with those of other faiths, always looking to share the light and love of Christ with them.

On the positive side, the film did do a great job speaking to the importance of reaching out to others like the young man from China. It also emphasized missions in a number of ways, like centering some major plot points around a very amiable character as a missionary.

Pastoral Care

I appreciated the comments about the work of a pastor, in which Pastor Dave in the film was comparing his own work to that of a missionary friend’s and felt his own day-to-day tasks were mundane and trivial. The answer given by the missionary, however, was essentially that such work is part of the work of God as well and that we each occupy a place which God has put us in to make an impact on the world. I thought this was a great message and one that deserves further exploration.

On the other hand, I thought that the pastoral care at points in the movie presented some difficulties. For example, Pastor Dave’s conversation with Josh Wheaton before Wheaton decides to for sure stand up to his professor boiled down to a couple citations (not even quotations) of Bible verses to look up later and the comment that “It’s not easy, but it’s simple” [I may have the order in this quotation wrong]. I’ll be blunt: I think that this is actually a gross oversimplification. Quoting Matthew 10:33 (click for reference) does not actually make the issue facing Wheaton “simple.”

For example, would it be “denying” Christ to acknowledge that one might not have the resources available as a freshman student in a general studies philosophy class (and not a major) to take on a philosophy professor on the topic of God’s existence? I don’t think so. One could instead acknowledge that both the clearly adversarial tone taken in the environment and one’s own lack of knowledge or expertise in the area make it likely that one may actually harm the body of Christ by, well, looking like a freshman non-philosophy student outmatched by an atheistic philosophy professor. Wheaton, of course, has the benefits of film, so he is able to put together a beautiful powerpoint each week and manages to pound the books so hard that he can articulate the cosmological, design, and other arguments within a few days. But is this a realistic perspective? Moreover, is it a “simple” application of the passage to our lives?

Conclusion

“God’s Not Dead” awakens people to the need for apologetics. That is a great compliment, because it is a much-needed awakening. However, it has several issues (including those mentioned above) with the presentation of apologetics, its portrayal of the “Other,” and the oversimplification of several arguments, positions, and even pastoral care and reading of texts. In short, it’s a mixed bag.

Links

Be sure to check out the page for this site on Facebook and Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies and more!

SDG.

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The preceding post is the property of J.W. Wartick (apart from quotations, which are the property of their respective owners, and works of art as credited; images are often freely available to the public and J.W. Wartick makes no claims of owning rights to the images unless he makes that explicit) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy.

“Guardians of the Galaxy” – Chaos, “Human” Nature, and the “Good Guys”

guardians-galaxy“Guardians of the Galaxy” has been a smash hit at the box office, and it has also received critical acclaim. It’s been branded as a happy-go-lucky film. That said, every story has a worldview. What might we find in “Guardians”? Here, we will analyze the movie from a Christian worldview perspective. There will be SPOILERS in what follows.

Chaos and “Human” Nature

Chaotic is a great word to describe the “Guardians.” Each has personality quirks which make them uniquely set up, it seems, to conflict. The fact that this ragtag band of people manages to save the galaxy (or at least a planet) is part of the fun of the film.

The characters’ personalities, however, seemingly also reveal much about “human,” or at least “personal” nature. Each has a background which haunts them individually, whether it be Starlord’s lost childhood or Rocket’s internal struggle to define himself, they each have difficulties. It is this which makes the characters seem more relatable than they otherwise may have been.

It is easy to feel separated from the world of the superheroes due to their general portrayal as otherworldly powers with little connection to Earth other than finding it as a place for their conflicts. In “Guardians,” it is almost the reverse: the characters are grounded in realistic pasts and limited in their power (each overshadowed by Groot’s power, but simplistic mind), but their battle takes place out in the Galaxy, away from home. By subtly shifting the perspective and powers of the heroes, the filmmakers reverse the paradigm of superhero flicks and are able to put together this story of a motley crew just barely managing to succeed.

I think this tells us something about ourselves as well: we relate better to characters with flaws. Our lives as humans have given us complex pasts with parts we often regret. The question, then, is where we may find redemption? How might we make sense of our lives in the broader scheme of things?

Good Guys

There is a lot of gray area when it comes to evil in “Guardians.” The characters themselves are involved in shady schemes, which leads one to wonder who the “good guys” are. That question, though, is one which brings us around full circle to the question of human nature. From a Christian perspective, there are none who are without fault, and salvation history in the Bible reflects God using imperfect people like Samson (womanizer) and Paul (persecutor of the church) to bring about redemption.

Similarly, the characters in “Guardians” are each flawed, but they work together to defeat great evil. Thrown together in the chaos of a universe with much evil, they make their own way. In “Guardians,” evil happens to be defeated almost by luck, but in reality, such things are not mere happenstance.

Rebirth

There is a real sense of “rebirth” throughout the film. Each character undergoes a transformation from a life of relative lax to one in which, at the end, they seek to defend the galaxy, even if that means breaking a few rules along the way. Groot, of course, undergoes the most literal rebirth as he is fragmented (to death?) in order to protect the other Guardians, only to then be reborn as a single stick. Starlord’s own rebirth is more subtle, as he goes from a ne’er-do-well rogue to trying to actually lead a ragtag band of people to defend the galaxy.

Conclusion

“Guardians of the Galaxy” is a distinctly unconventional superhero flick, as it stars a group of people who can hardly be classified among the “good guys” who just so happen to defeat the worst evil in the galaxy. Despite, or perhaps because of, this, they band together and triumph in a good (?) vs. evil story. It is similar, as I noted, to the notion in the Bible that we are a community of sinner saints and people who have questionable paths may still be used for great good by God.

There is more we could discuss from “Guardians of the Galaxy,” so please do join the discussion in the comments below.

Links

Be sure to check out the page for this site on Facebook and Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies and more!

Guardians of the Galaxy– Check out Anthony Weber’s take on the movie, which is always worth reading. Be sure to follow his blog, as it is one of the best in the business.

Movies– Read other posts I have written on the movies. Scroll down to see more!

The image is a movie poster for the film and I use it under fair use.

SDG.

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The preceding post is the property of J.W. Wartick (apart from quotations, which are the property of their respective owners, and works of art as credited; images are often freely available to the public and J.W. Wartick makes no claims of owning rights to the images unless he makes that explicit) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy.

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