christian
Book Review: “The Stories We Tell” by Mike Cosper
Mike Cosper’s The Stories We Tell
Cosper analyzes several television shows from Mad Men to Project Runway and looks at themes with redemptive value. He doesn’t present a one-size-fits-all picture of how individual genres or specific movies or shows reflect all one specific picture, but rather analyzes the stories told in these forms of media from the perspectives of various aspects of the Christian worldview. These include themes of creation, sin, redemption, love, the fall and success of heroes, and more.
This holistic vision of analyzing stories in TV and at the movies allows readers to open their own avenues for perspectives and reflection in ways that not all books on a topic like this provide. Not only that, but Cosper’s writing is genuinely fascinating. I haven’t watched most of the television shows he discussed, but his presentation of them was enough to allow me to feel as though I knew what was happening and even got me deeply interested in the stories he described. This is not just a good book on how to discuss movies, but it’s also a genuinely interesting overview of a number of stories, whether they’ve been encountered already or not.
Another excellent insight Cosper provided was his look at whether certain stories, movies, and television are appropriate for Christians. He presented a very balanced and insightful look at this topic. First, he noted that the question “how far is too far” is often used to draw boundaries either to allow oneself to get as far as possible or to try to denigrate or call out others. Then, he used two examples of the extremes when it comes to appropriateness: the “overanxious teenager” who wants to get right up to the boundary in order to see as much as they can and the “church lady” who wants to stand as judge to show how others are sinners. He uses these examples to great effect, but does not leave it merely at that. He argues that either extreme is mistaken and also offers a way for Christians to explore appropriateness of various shows and movies.
Conscience and community are to be our guideposts when it comes to the appropriateness of media. Conscience allows us to have an inner arbiter of whether something is appropriate: “If you’re struggling with whether to watch something, ask yourself if you’re sturrling against a conscience that knows better” (Kindle Location 671). A community will help as well by offering a group of others with different experiences and advice. The community will only be helpful, however, if one commits to being honest about viewing habits and having friends who are willing to confront one over the viewing. I found this to be remarkably insightful and Cosper’s perspective on appropriateness is a solid way for Christians to evaluate their viewing habits.
There are many books about Christianity and visual arts like movies and television. Mike Cosper’s The Stories We Tell
Disclaimer: I received a review copy of the book through Crossway. I was not obligated by the publisher to give any specific type of feedback whatsoever.
Links
Be sure to check out the page for this site on Facebook and Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies and more.
Book Review: “Hollywood Worldviews” by Brian Godawa– Speaking of worldviews in the movies, why not check out my review of this book which seeks to provide a method for analyzing film from a worldview perspective? Let me know what you think.
Engaging Culture: A brief guide for movies– I outline my approach to evaluating movies from a worldview perspective.
I have a number of ways in which I have critically engaged with culture in movies, books, and other arts in my posts on current events (scroll down for more posts).
Source
Mike Cosper, The Stories We Tell (Wheaton, IL: Crossway, 2014).
SDG.
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The preceding post is the property of J.W. Wartick (apart from quotations, which are the property of their respective owners, and works of art as credited; images are often freely available to the public and J.W. Wartick makes no claims of owning rights to the images unless he makes that explicit) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy.
Sunday Quote: Aliens and Paganism?
Every Sunday, I will share a quote from something I’ve been reading. The hope is for you, dear reader, to share your thoughts on the quote and related issues and perhaps pick up some reading material along the way!
Aliens and Paganism?
I’ve been entering notes into my computer and because of that I’ve been rereading a bunch of books. Scientific Mythologies: How Science and Science Fiction Forge New Religious Beliefs
[W]e are witnessing nothing less than the emergence of new transcendent narratives–new myths–to answer our deepest questions. We appear to have entered a second pagan era, complete with a new mythology in which minor deities once again descend from the stars, seek intimate involvement in our lives, direct our course into the future… Our mythologies… have a way of shaping who we are and what we are becoming. (17, cited below)
Have you witnessed any kind of “new mythologies” being followed or created through science or science fiction? I think that sci-fi is a great way to convey a worldview, and I’ve commented often on various ways people have used it for just that purpose. What ways might new scientific mythologies shape our perceptions of ourselves and others? Do you think Herrick’s point is to be well taken, or is he wrong? Why/not? I encourage you to check out the fascinating book. Thanks to my friend Josh over at No Apologies Allowed for so long ago introducing me to it.
Links
Be sure to check out the page for this site on Facebook and Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies and more!
Sunday Quote– If you want to read more Sunday Quotes and join the discussion, check them out! (Scroll down for more)
Materialists: Where is hope? Look to the stars!– I analyze one aspect of materialism: the way that some look to hope in the “beyond” of the outer limits of the universe. Hope, for materialists, may come from the stars. Our salvation may lay beyond our solar system, in benevolent aliens who will bring great change and advances to us.
Source
James Herrick, Scientific Mythologies: How Science and Science Fiction Forge New Religious Beliefs
“Elysium” – Our Hopes, Greed, Class, and Suffering
“Elysium” is one of a string of recent action flicks which have taken to exploring bigger issues than how to make the biggest explosion. Here, we’ll look at some themes in the movie and reflect on how they might resonate with the Christian worldview. There will be SPOILERS for the film in what follows. I will not summarize the plot, though a summary may be found here.
Greed and Suffering
The story seems to center around the issue of greed. After all, the premise is essentially that human greed leads to great suffering. The question of whether there is a moral obligation to end suffering is front and center in the movie. The citizens of Elysium live a life of luxury, conveniently located far away from the strife that inhabitants of Earth must undergo. There is a clear and obvious dichotomy between the lives of the people planetside and those on the space colony.
It’s a premise which seems obvious, but there is a twist in the film, which impacts the force of this question. Once the final outcome is determined, and the reprogramming of citizenship is brought about to include all people, Elysium’s automated defenses and medical robots immediately begin helping the people of Earth. Medical shuttles are dispatched with instant-healing devices to help the new citizens. This twist throws a wrench into the reasoning of the question of obligation to end suffering: what if one has nothing to lose in order to help others?
Thus, the question goes beyond mere greed. It is a question of how humans will seek to hold on to what they have, even when it costs nothing to help others. It’s a poignant way to portray the issue, and one which forces viewers to think upon their own attitudes regarding what we have and seek to hold on to.
Of course, this portrayal of the issue doesn’t take away from the question of whether there is an obligation to end suffering. I think the answer, from a Christian perspective, is that we of course do. Then, the question must be asked of how to best alleviate suffering. These and other questions are raised by the film, and in ways which provoke much continued thought.
Class
The issues of greed and suffering are also bookended in the film by the question of class. Even on Earth, where poverty seemed to be ubiquitous, class was an issue. There were those with jobs, those who begged, and those who turned to crime. The sharp distinction between citizens of Elysium and those of Earth makes the point even more obvious. Once again, as Christians, we are forced to ask how we might address this issue of inequality. There are to be no such distinctions in the body of Christ (Galatians 3:28), so how might we help to work towards ending racial, class, and other inequalities on Earth?
Hope
There is a constant theme of hope in what seems like a hopeless world. The people of Earth realize that help could come from Elysium, but they must get there first. They turn their hope to the stars, but there is a Nun who educates the young Max that there is beauty on Earth as well–beauty in humanity, despite our fallen nature.
Conclusion
“Elysium,” though featuring some objectionable content, is a film with much to ponder from a Christian perspective. How are we to approach other humans in a way which doesn’t undermine their dignity? We are to work to end suffering, to bring about equality. We are to prevent a scenario like “Elysium” from ever happening.
Links
Be sure to check out the page for this site on Facebook and Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies and more.
Engaging Culture: A brief guide for movies– I outline my approach to evaluating movies from a worldview perspective.
I have a number of ways in which I have critically engaged with culture in movies, books, and other arts in my posts on current events (scroll down for more posts).
Elysium: Fighting for Paradise– Anthony Weber addresses a number of other worldview issues brought up in the movie on his fantastic site, Empires and Mangers. Be sure to follow his great blog.
The picture in this post is from a movie poster and I use it under fair use.
SDG.
——
The preceding post is the property of J.W. Wartick (apart from quotations, which are the property of their respective owners, and works of art as credited; images are often freely available to the public and J.W. Wartick makes no claims of owning rights to the images unless he makes that explicit) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy.
An Apologist’s Insights on “God’s Not Dead”
I recently had the chance to watch “God’s Not Dead,” a film which presents a story in which a college student decides to take a stand for his faith against the pressure of an atheistic philosophy professor. A summary of the plot may be found here. As an apologist with an MA in the field, I thought my comments might help provide some insight into the film. I’ll offer a look at some aspects of the film which I wanted to address. Feel free to chime in in the comments with your own thoughts.
Apologetics
The movie presents a clear picture of the need for apologetics. When challenged by attacks on the faith it is important to always have a reason for the hope within (1 Peter 3:15). Josh Wheaton–the protagonist–put together a decent presentation of various evidences for theism in the snippets that viewers get through the film. Of course, these are very simplified and don’t address several major issues with the arguments, but it gets the point across. It also, I have noted through conversations with others, spurred much interest in the area of apologetics. That’s awesome!
That said, I think there are some issues with even the arguments presented in the film. First, after Wheaton has presented the cosmological, design, and other arguments for theism, he is challenged by Professor Radisson on the notion that one just has to choose between atheism and theism. Wheaton acknowledges that yes, it is a choice. Now, there are a number of issues with this portrayal. First, it treats the balance of evidence as a kind of 50/50 proposition, which is, I would think, hardly the position of anyone. Second, it presents a view of belief in which we can just choose what we believe. This is called “doxastic voluntarism” which is a fancy way of saying that one can believe propositions at will. But that is a highly controversial position (just try to force yourself to believe that “Fairies fill my refrigerator every morning” and you’ll see the folly of it) and also flies in the face of biblical accounts of what faith is. Third, here I’ll tip my bias a bit and say I’m fairly well convinced that the balance of evidence is hardly 50/50 but actually compelling.
Another difficulty with the apologetic in the film is that it seems like the lynchpin argument offered was actually just a point of rhetoric. Wheaton presses Professor Radisson and asks “Why do you hate God?” and follows it up with [paraphrased]: “How can you hate someone who doesn’t exist?” This is the last straw and what prompts the class to vote by standing to say that “God’s not dead.” Although I think rhetoric has a clear place in the Christian apologetic (and has since the earliest times: see the apologetic works of Lactantius and Arnobius in the 200-300s AD), I thought it was an odd choice to make it the climactic argument for God. Perhaps it was because this added to the drama of the moment–and I suspect that’s right–but it did so at the cost of detracting from whatever apologetic the film could put forward.
I did, however, appreciate the interaction with some top scholars like Hawking and Lennox. I think it is very important for Christians interested in apologetics to read the top scholars in their fields in order to best get acquainted to the arguments.
Characters or Caricatures?
The way the Muslim father was portrayed was problematic. In the beginning of the film we see him dropping off his daughter and showing great concern for her. Later, he shares an intimate discussion of his faith and the importance of obedience in his background. But then, when it is revealed his daughter has converted to Christianity, he not only kicks her out of the house, but he also immediately hits her more than once. Now, I make no claims to being an expert on this, but I know from anecdotal evidence only that people are indeed kicked out of their homes for converting to Christianity (and sometimes for deconverting), and this is surely a bad thing. It’s not a bad thing to address this as an issue.
But the problem I saw was that the Muslim father’s immediate reaction was violence, without any explanation or any background for thinking this would be a reaction. The rest of the film up to this point had shown him as a caring father who was concerned for the faith and well-being of his daughter. To have him immediately turn to violence when she converted was jarring and I think it speaks to our cultural presuppositions about the religious “Other” to portray the “Other”–the Muslim–in that way. We need to move beyond such stereotypes and into genuine dialogue with those of other faiths, always looking to share the light and love of Christ with them.
On the positive side, the film did do a great job speaking to the importance of reaching out to others like the young man from China. It also emphasized missions in a number of ways, like centering some major plot points around a very amiable character as a missionary.
Pastoral Care
I appreciated the comments about the work of a pastor, in which Pastor Dave in the film was comparing his own work to that of a missionary friend’s and felt his own day-to-day tasks were mundane and trivial. The answer given by the missionary, however, was essentially that such work is part of the work of God as well and that we each occupy a place which God has put us in to make an impact on the world. I thought this was a great message and one that deserves further exploration.
On the other hand, I thought that the pastoral care at points in the movie presented some difficulties. For example, Pastor Dave’s conversation with Josh Wheaton before Wheaton decides to for sure stand up to his professor boiled down to a couple citations (not even quotations) of Bible verses to look up later and the comment that “It’s not easy, but it’s simple” [I may have the order in this quotation wrong]. I’ll be blunt: I think that this is actually a gross oversimplification. Quoting Matthew 10:33 (click for reference) does not actually make the issue facing Wheaton “simple.”
For example, would it be “denying” Christ to acknowledge that one might not have the resources available as a freshman student in a general studies philosophy class (and not a major) to take on a philosophy professor on the topic of God’s existence? I don’t think so. One could instead acknowledge that both the clearly adversarial tone taken in the environment and one’s own lack of knowledge or expertise in the area make it likely that one may actually harm the body of Christ by, well, looking like a freshman non-philosophy student outmatched by an atheistic philosophy professor. Wheaton, of course, has the benefits of film, so he is able to put together a beautiful powerpoint each week and manages to pound the books so hard that he can articulate the cosmological, design, and other arguments within a few days. But is this a realistic perspective? Moreover, is it a “simple” application of the passage to our lives?
Conclusion
“God’s Not Dead” awakens people to the need for apologetics. That is a great compliment, because it is a much-needed awakening. However, it has several issues (including those mentioned above) with the presentation of apologetics, its portrayal of the “Other,” and the oversimplification of several arguments, positions, and even pastoral care and reading of texts. In short, it’s a mixed bag.
Links
Be sure to check out the page for this site on Facebook and Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies and more!
SDG.
——
The preceding post is the property of J.W. Wartick (apart from quotations, which are the property of their respective owners, and works of art as credited; images are often freely available to the public and J.W. Wartick makes no claims of owning rights to the images unless he makes that explicit) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy.
Really Recommended Posts 9/12/14- science and faith, questioning leaders, and more!
I have sought out another round of really recommended posts for you, dear readers. I hope these posts bring you edification, as they did for me. Let me know what you thought in the comments here, and be sure to drop a comment on those you appreciated!
Is Christian Belief A Science-Stopper: 7 Quick Points– It is often alleged that Christianity becomes a science-stopper. People who are Christians, it is said, are somehow defective intellectually in ways which stall science; or perhaps it is instead that Christian belief leads to a kind of gullibility regarding scientific explanation. Here are seven points which argue that Christianity does not stop science.
The forgotten lesson of Bonhoeffer and the American Church– What might the story of Bonhoeffer have to tell us for today? Has his life as a Christian been misunderstood? Check out this interesting article on the man, Dietrich Bonhoeffer.
Beelzebul: Poop god– Who said the Bible has no comedy in it? Check out this post which talks about Beelzebul, the poop god, among others.
Two Paths Affirming Women’s Ordination– How might one go about arguing for women’s ordination? Check out this post, which traces two ways that women’s ordination has been achieved historically and in modernity.
Christology: Deity and Eternality– An excellent resource for those of us wanting to look into how to show the deity and eternality of Christ. I highly recommend keeping a copy of this somewhere close at hand.
When Questionable Leaders Make Us Doubt– There have too often been Christian leaders in the news for poor decisions, making mistakes, or even being abusive. What do we do when these failures in Christian leadership make us doubt? My own thought is that we need to recognize that being Christian doesn’t automatically make us cease sinning, but here are some deeper insights I thought were helpful.
Book Review: “The New Atheist Novel” by Arthur Bradley and Andrew Tate
There are moments in which you pick up a book and are delivered into a completely unexpected and fresh-feeling experience. The New Atheist Novel: Fiction, Philosophy and Polemic after 9/11 was one such experience for me. Arthur Bradley and Andrew Tate take readers on a journey through the literature of four modern authors who, they argue, are representative of a new form of novel: the “New Atheist Novel.” This novel is a kind of counter-mythology which invents the transcendent within an atheistic universe. Bradley and Tate analyze the work of Ian McEwan, Martin Amis, Philip Pullman, and Salman Rushdie. The authors show how some have shifted their polemic after 9/11 to viewing religion as a kind of one-size-fits all mentality that has no distinction between liberalism and fundamentalism.
Bradley and Tate apply critical theory to the works of fiction presented in this book in incisive fashion. They draw out themes of the authors analyzed in order to show how often they are just as guilty of irrationality as those against whom they pontificate through the voices in their novels.
Ian McEwan’s fiction, they argue, shows a distinctly New Atheist bent. He sees religious persons as ultimately violent and anti-intellectual. Interstingly, McEewan’s vision of transcendence develops through music and the written word. His post 9/11 writings show a more distinctly anti-Islamist bent, which sees religion as a failure of the imagination. However, Tate and Bradley argue that McEwan’s imagination is itself failing in its capacity to see the radical Muslim act of terror as inherently symbolic and transcendent itself.
This kind of analysis proceeds across the authors analyzed, from Martin Amis’ cliché-filled war against cliché to Salmun Rushdie’s more even-handed but nevertheless anti-theistic vision of the “Quarrels over God.” The analysis of Philip Pullman’s work is perhaps the highest point of the work, as it shows how even in disagreement, one might learn from the “New Atheist Novel.” Pullman’s work shows the myth of the death of God as a kind of human transcendence and freedom from restraint. This vision may be seen as a sometimes on target critique of religion which sometimes becomes authoritarian and too bent towards heresy-hunting. Tate and Bradley ultimately see Pullman’s fiction as a kind of neo-heresy which is attempting to purify religion of its alleged bent towards fundamentalism and too-small vision of deity.
The book’s usefulness goes beyond simple critique. Instead, it gives readers a chance to interact with all literature in a critical fashion. Moreover, Bradley and Tate are not entirely unsympathetic to the “New Atheist Novel” and show how it may help to inform future discussions. The critical interaction is not merely critical but also constructive.
Perhaps the biggest weakness in the book is that its thesis doesn’t seem to carry throughout. The “New Atheist Novel” makes its debut with McEwan, but by the time the author’s reach Rushdie’s slightly more amiable vision of religions in conflict, it seems to lack cohesion as a concept. Perhaps it would be more accurate to say that the “New Atheist Novel” is more of an “Anti- (or Alter-) Theistic Novel” which encompasses not mere anger against religion but rather a critical and sometimes polemical and mistaken vision of the “religious other.” Thus, it seems in the end the “New Atheist Novel” namenclature might not be inaccurate after all, but I tend to think–and the authors reinforce this–of the “New Atheism” along specifically Dawkinsian lines of thought, and Rushdie and Pullman’s works did not seem to fit this usage of the term. A minor gripe, but one worth noting.
This is a book well worth reading and referencing. Don’t be deceived by its length (111 pages of text); it truly has an enormous amount of useful information and discussion. I took a monstrous amount of notes on this book given its length. It will get you thinking, whatever your own view. I recommend it without reservation.
Links
Be sure to check out the page for this site on Facebook and Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies and more!
Sunday Quote!- The New Atheist Mythology– I share a quote from The New Atheist Novel which discusses the notion that there is a mythology growing up around atheism.
Source
Arthur Bradley and Andrew Tate, The New Atheist Novel: Fiction, Philosophy and Polemic after 9/11 
SDG.
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The preceding post is the property of J.W. Wartick (apart from quotations, which are the property of their respective owners, and works of art as credited; images are often freely available to the public and J.W. Wartick makes no claims of owning rights to the images unless he makes that explicit) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy.
Christian Discerment Regarding Music: A reflection and response
I recently read a post which called for “discernment concerning the Christian music world.” The author, “EvangelZ” writes:
We have been told to be discerning in terms of what types of secular music to not assimilate into our minds if it is degrading, anti-Christ, and vulgar, to name a few. But what about the call to be discerning concerning the Christian music world?
I agree wholeheartedly with this sentiment. We should–must–be discerning when it comes to what music we engage with. Our engagement with both Christian music and “secular” music (whatever these categories even mean) should be reflective of the content of that music. The list EvangelZ provided above is hardly comprehensive, but a good place to start. If our “Christian” music is “degrading” or “vulgar,” that would certainly seem to exclude it from any use in a worship service, and should be a strong reason against our integrating that music into our lives.
Indeed, I would contend that the content of the music should be essentially the criterion (with notable exceptions below) for the music deemed acceptable for a Christian to consume. Of course, there should be a real acknowledgement that some people have different levels of discernment or resilience than others (can we eat the meat offered in sacrifice to false gods or not? after all, it’s just some meat left out for some false idol? [see here if you’re not sure what I’m referencing]).
However, after this introductory comment, EvangelZ spent the rest of the post discussing how we should us discernment regarding Christian music by way of the lives of those who made the music. For example, one issue highlighted was Tim Lambesis’ (singer for “As I Lay Dying”) apostasy. Now, setting aside the issue of whether any “As I Lay Dying” song could even possibly be used in a worship service (although I like metal, I hardly think it lends itself to corporate worship and singing praises), what I want to briefly touch on is exactly this notion: should our discernment apply to content of the music or to the lives of the musicians (or, of course, both)?
After reading the post, I wrote a comment, and I’d like to just reflect on what I wrote there a bit more. I’ll reproduce my comment, in part, here:
[T]he criteria given for discernment in “Christian” music are pretty much all matters of personal character of the musicians, not the actual content of the music. I’m wondering why on the one hand it is content (“secular” music) but on the other (“Christian” music), it is the people producing the music. This raises a number of questions for me:
1) Why the difference in criteria?
=> 1A) Is it because music functions didactically and so we should be aware of who is “teaching” us through music?
=> 1B) If so, then do we need to know about the lives of every single person who has written a song that we use in worship before we are able to use it?
2) If we are to use character as a criteria of discernment for worship music, does that not essentially mean we can’t use any music?
=> Explanation: everyone is a sinner in the process of sanctification, so by default anyone who has written a song we use in worship has still sinned.
=> 2A) Or is the issue simply unrepentant sin?
I think all of these questions are issues we must deal with as we consider the need for discernment in whatever music we listen to. I’ll provide a brief reflection on each issue I raised in these questions:
1) I am unconvinced that there should be any difference in our criteria for discernment when reflecting on Christian or “secular” music. Part of this is because I’m not sure such a dichotomy actually does exist (see here), and part is because I don’t know why such a distinction should exist.
1A) If we grant that hymns or music used in church functions didactically–as teaching–then perhaps a case could be made, but I think, abstractly, the content should once again be the ultimate judge of whether a teaching is good (or not).
1B) Because we cannot feasibly be required to know about the lives of all who write the music we listen to, this cannot serve as a viable criterion for discernment. Perhaps exceptions could be made in those cases wherein we do know something should (and what does “should” mean here?) disqualify one (i.e. I could see the knowledge that ‘the person who wrote this hymn is a satanist’ as a perfectly sound reason for not using a hymn), but one cannot realistically be expected to know about the lives of every single artist who writes any part of our hymnody (or music generally).
2) Because all are sinners, if character is a criterion for discernment, it would seem that all are disqualified.
2A) However, perhaps the qualification could be made that it is merely persistent, unrepentant sin which should disqualify one. But then one has muddied the waters via 1B again.
Thus, I think that for Christians, the best way to use discernment is to apply the truths of the Bible to the content of the music. We cannot realistically be expected to know the backgrounds of every individual who writes the music we may listen to or use in worship, and with the caveat noted above, I think the criterion simply should be the content–the lyrics–of the music. How do we analyze the content? Well I think there are a number of factors, including those rightfully noted above by EvangelZ. God’s revelation in Scripture and the gift of conscience should be our guides.
Links
Be sure to check out the page for this site on Facebook and Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies and more!
On Christian Music– I reflect on the category of “Christian Music” and whether it is even a functionally helpful tool.
Engaging Culture: Demon Hunter’s “Extremist” and the Apologetic Task– I discuss the latest album from Demon Hunter and how music may act as an apologetic endeavor.
The Call for Discernment Concerning the Christian Music World– Be sure to read the post to which I responded here, and see what you think of their reasoning. I think this is an issue worth discussing.
SDG.
——
The preceding post is the property of J.W. Wartick (apart from quotations, which are the property of their respective owners, and works of art as credited; images are often freely available to the public and J.W. Wartick makes no claims of owning rights to the images unless he makes that explicit) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy.
Sunday Quote!- Building the Argument from Undesigned Coincidences
Every Sunday, I will share a quote from something I’ve been reading. The hope is for you, dear reader, to share your thoughts on the quote and related issues and perhaps pick up some reading material along the way!
Build the Argument
J.J. Blunt (1794-1855) wrote what I consider to be one of the strongest pieces of apologetics literature ever written, Undesigned Coincidences in the Writings Both of the Old and New Testaments. The book focuses, clearly enough, on the argument from undesigned coincidences. I’ll not explain the argument here, as I have done so already. But Blunt operated under no false hopes of having comprehensively covered this extremely broad argument:
Much, however, of the same kind of testimony I have no doubt has escaped all of us; and still remains to be detected by future writers on the Evidences. (v, cited below)
Blunt’s words are a call to action for the Christian apologist. The argument from undesigned coincidences is extremely powerful, but it also has massive depths to explore throughout the totality of the Bible which have not even begun to be explored. Moreover, Blunt began the work of relating these “coincidences” to contemporary literature by relating the Gospels and Acts to Josephus, but surely there is much more work to be done by exploring other literature outside of the Bible and seeing how these might be cross-confirmed.
So, fellow Christian apologists, let’s get to work!
Links
Be sure to check out the page for this site on Facebook and Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies and more!
Forgotten Arguments for Christianity: Undesigned Coincidences- the argument stated– I outline the basics of the argument from undesigned coincidences. I also provide an example of the argument in practice.
Sunday Quote– If you want to read more Sunday Quotes and join the discussion, check them out! (Scroll down for more)
Source
John James Blunt, Undesigned Coincidences in the Writings of both the Old and New Testament, New York, 1847.
SDG.
Question of the Week: Favorite “Worldview” Fiction
Each Week on Saturday, I’ll be asking a “Question of the Week.” I’d love your input and discussion! Ask a good question in the comments and it may show up as the next week’s question! I may answer the questions in the comments myself.
Favorite Worldview Fiction
I recently asked about favorite movies regarding worldview. I think that any time we interact with any portrayal of fiction, we still run into major questions of worldview. We should always be watching or reading or listening with a critical mindset, ready to interact on worldview-level questions. We love to read, but we need to do so in a way that acknowledges that “every story has a worldview.”
What is your favorite fictional book in regards to the way it interacts with worldview? Which worldview is presented? How might we learn from this presentation?
I know I’ve had many moments when I’ve finished a piece of fiction and just had to sit and think for a while afterwards. They’re wonderful times, and I think we’ve all had them. Let’s read about them in the comments!
Links
Be sure to check out the page for this site on Facebook and Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies and more.
Question of the Week– Check out other questions and give me some answers!
SDG.
Really Recommended Posts 9/5/14- Jesus’ resurrection, logical fallacies, and more!
Well depending on if my child comes on time, I may currently be in the hospital with my wife and a baby being born today, as it is our due date! Thus, I may not respond right away to any comments. On the other hand, I may just be hanging out waiting for the baby (or he or she may come early!). So long story short keep my family in your prayers, if you please. This week’s posts include Jesus’ resurrection, logical fallacies, “The Unbelievers” movie, Michael Behe’s design argument, and Rob Bell and Oprah Winfrey.
Prior Probability of the Resurrection– David Marshall presents a lengthy argument related to the prior probability of the resurrection of Jesus. This argument is very important, and Marshall’s approach is one of many leading ways to argue for the truth of Jesus’ resurrection. This article has much depth and is worth the read.
How Not to Argue: The Problem of “Folk Fallacies”– It is easy to fall into the trap of Googling random fallacies and charging others with committing these errors. Here, some difficulties with pointing out an alleged stream of fallacies are pointed out. It’s a good post for apologists to consider.
Are “The Unbelievers” Unbelievable?– Here, Saints and Skeptics addresses several issues of “The Unbelievers” film, including its method, arguments, and conclusions.
A Pretty Sharp Edge: Reflecting on Michael Behe’s Vindication– Michael Behe’s argument for intelligent designed is based upon the concept of irreducible complexity. Check out this post which argues that his argument has been vindicated.
Rob Bell, Oprah Winfrey, and the missing Jesus– What happens when Rob Bell meets Oprah Winfrey? Check out this post for some interesting thoughts on the missing Christ in the conversation. See my own series of posts on Rob Bell’s Love Wins for some more reading.
J.W. Wartick - Reconstructing Faith 