divine hiddenness

This tag is associated with 2 posts

“Silence” by Shusaku Endo – The Hidden God, the Crucified Lord

silence-endoShusaku Endo’s Silence is one of the most moving, deeply theological novels I have ever read. Here, I will discuss but a few worldview-level issues found in the book. There will be SPOILERS below.

The Hidden God

The most pervasive theme throughout the book is that of silence. The hiddenness of God is pressed home poignantly in scene after scene. Early in the book, the main character, a Jesuit priest from Portugal named Sebastião Rodrigues has confidence that no matter what, we will find out a purpose for any and all suffering in the world. His thought is that because God is good, there must be a reason behind each and every possible evil.

Yet as the book continues, the persecution of Christians intensifies and is made extremely clear to Rodrigues. Time and again he witnesses Christians being tortured to death and prays. Each time, a refrain is found in the book: he is answered by silence.

Again and again, the please of Christians and of the priest, Rodrigues, are answered by silence. He looks out to sea surrounding Japan and sees only blackness.

Silence confronts us with the problem of evil front-and-center, and offers some of the most frequently used answers in response. Yet many of these answers seem inadequate when set alongside the continued suffering of Christians being tortured.

The Absurdity of Life Without God

Life without God is absurd. Yet even this point, as found in Silence, points to the silence of God. Rodrigues reflects on his life, and finds that it is completely absurd if there is no God. But rather than focusing on big picture points on this topic, he points it to his own life and laments the absurdity of how he’s lived it if there is no God.

Christ, the Crucified Lord

Rodrigues is captured, and he is forced to endure the screams of tortured victims as time and again they ask him to apostasize. What is required of him is that he trample on an image of Christ. If he does not do so, the suffering of others will continue. He begins to wonder about the mercy of God and whether it would, indeed, be better to trample on this image of Christ and be seen as an apostate. Finally, he decides he will do it, if only to prevent further torture of others:

How his foot aches! And then the Christ in bronze speaks to the priest: ‘Trample! Trample! I more than anyone know of the pain in your foot. Trample! It was to be trampled on by men that I was born into this world. It was to share men’s pain that I carried my cross.’
The priest placed his foot on the fumie [image of Christ]. Dawn broke. And far in the distance the cock crew. (171)

Christ came to suffer, and our sin is part of that suffering. Yet, Christ calls to us, letting us know his mercy is boundless, and that it was for our sake he “was born into this world.”

Ultimately, the silence of God is not silence at all. As the priest says it in the closing lines of the novel: “Even now I am the last priest in this land. But Our Lord was not silent. Even if he had been silent, my life until this day would have spoken of him” (191). Christ works in us and through us.

The dialogue Rodrigues has with Christ in the end is just as poignant:
“Lord, I resented your silence.”
“I was not silent. I suffered beside you.” (190)

Conclusion

Silence is one of those rare books that is sure to be remembered from the time you read it onward. I don’t know that I will ever forget the vivid scenes in which priests are forced to choose between allowing continued torture or being labeled as apostates. It is a stirring, heart-rending book of faith in the face of apparent silence. But the ultimate message is more hopeful: Christ is in us.

Links

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Popular Books– Read through my other posts on popular books–science fiction, fantasy, and more! (Scroll down for more.)

Source

Shusaku Endo, Silence (New York: Taplinger Publishing Company, 1980). Edition linked is a newer edition.

SDG.

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The preceding post is the property of J.W. Wartick (apart from quotations, which are the property of their respective owners, and works of art as credited; images are often freely available to the public and J.W. Wartick makes no claims of owning rights to the images unless he makes that explicit) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy.

Book Review: “Pascal’s Wager” by Jeff Jordan

pw-jj

For some time, I’d been wanting to put some effort into studying Pascal’s Wager. I picked up Pascal’s Wager: Pragmatic Arguments and Belief in God by Jeff Jordan in order to familiarize myself more with the philosophical grounding behind the argument. Jordan approaches the Wager through a lens of analytic philosophy and, I think, demonstrates that the argument has some force to it.

Jordan’s work has great scope. Several aspects of the Wager are brought to light.  He analyzes several different formulations of the argument, while also noting where the argument has been changed or modernized. For example, the notion that Pascal’s Wager was infinite bad vs. infinite good is a more recent innovation than Pascal’s original argument.

He studies the argument contextually to determine whether the Wager was intended as a generalized theistic proof or an argument for Christianity. Numerous objections from leading critics of the Wager are put to the test. Ultimately, a version of the Wager developed by William James is put forward as an argument that passes the philosophical muster. Jordan analyzes this argument from many angles, ultimately demonstrating that it overcomes the challenge of the “many gods” objection and provides grounds for Christian faith.

The value of Pascal’s Wager may is increased by the fact that many aspects of Jordan’s work are applicable to other arguments or areas of interest for philosophers of religion and apologists. For example, Jordan raises significant challenges to the notion that philosopher’s fictional deities may actually be counted as evidence for a “many gods” objection (75-76; 80-81). Another example is a rather interesting argument he derives from the work of James Beattie (1735-1803- Jordan notes Beattie is at times rightly accused of misrepresenting Hume’s arguments) about whether attempts to deconvert might bring about pragmatic wrongs (190-194). These and other tantalizing topics command even more interest than the book might otherwise have had.

Simply put, Pascal’s Wager: Pragmatic Arguments and Belief in God is a phenomenal, thought-provoking work that will have readers rethinking their evaluation not only of the (in)famous Wager but also of a number of related topics. Even at its steep price tag, the book is a bargain.

Links

Be sure to check out the page for this site on Facebook and Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies and more!

Pascal’s Wager: The Utility Argument Examined– I outline and defend one of the versions of Pascal’s Wager which Jordan brings up in this work. I find it to be a very interesting argument and a great addition to the apologist’s toolkit.

Source

Jeff Jordan, Pascal’s Wager: Pragmatic Arguments and Belief in God (New York: Oxford, 2006).

SDG.

——

The preceding post is the property of J.W. Wartick (apart from quotations, which are the property of their respective owners, and works of art as credited; images are often freely available to the public and J.W. Wartick makes no claims of owning rights to the images unless he makes that explicit) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy.

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