The “violinist analogy” is an argument for the permissiveness of abortion. It is based on granting that the unborn is a human person, but argues that it is still permissible to kill the unborn because it may be justified as “non-intentional killing.” The argument originated with Judith Jarvis Thomson, to the best of my knowledge. She put the analogy like so:
You wake up in the morning and find yourself back to back in bed with an unconscious violinist. A famous unconscious violinist. He has been found to have a fatal kidney ailment, and the Society of Music Lovers has canvassed all the available medical records and found that you alone have the right blood type to help. They have therefore kidnapped you, and last night the violinist’s circulatory system was plugged into yours, so that your kidneys can be used to extract poisons from his blood as well as your own. [If he is unplugged from you now, he will die; but] in nine months he will have recovered from his ailment, and can safely be unplugged from you. (Thomson, cited below)
The argument seems to have much force. After all, who wouldn’t agree that you may be well within your rights to unplug yourself from this violinist. You aren’t obligated to him in any way.
There are a number of glaring difficulties with this argument (see this post for one argument against it), but the one I want to focus on now is tied to the recent controversy over the allegations of Planned Parenthood selling body parts. I’ve already pointed out one of the biggest problems is the question of “Whose body parts are they?” However, we may see that this controversy also undercuts the violinist analogy in a very brutal way.
Thomson has clearly massaged the analogy to make it seem fairly innocuous. After all, unplugging the violinist is fairly non-violent, right? You’re just having him removed from you so that you are no longer in the state of having to support him with your own body. But Thomson’s analogy needs to be amended. After all, Planned Parenthood itself acknowledges that they’re getting body parts from abortions and donating them. Thus, we might now fix Thomson’s argument for her to make it more accurate.
When the choice is made to “unplug” the violinist, it isn’t just unplugging him. Instead, those doing the unplugging are concerned with making sure that the violinist’s body parts come unplugged intact. They thus break his body apart in such a way as to preserve the heart, liver, brain, and other parts which might be used for science or saving the lives of other people. The violinist is not merely unplugged, but torn quite literally limb-from-limb in order to remove him.
Clearly, Thomson’s analogy has missed this point–a point Planned Parenthood itself acknowledges. For some reason, Thomson decided to smooth over these clinical facts in her “defense of abortion,” choosing instead to present it as something as simple and innocent as an “unplugging.” But the reality is that the analogy should point out that the choice involved is not merely to unplug the violinist but rather to have him effectively ripped from the one to whom he is hooked up in such a way that dismembers him.
There is good news, though: the parts of the violinist can now be used for research!
Source
Thomson, J. “A Defense of Abortion”. Philosophy and Public Affairs 1:1 (Autumn 1971): 47–66. Citation and quote found on Wikipedia.
Links
Be sure to check out the page for this site on Facebook and Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies and more!
Be sure to check out my other posts in which I argue for the pro-life position. Particularly relevant to the present discussion are “From conception, a human” and “The issue at the heart of the abortion debate.”
SDG.
——
The preceding post is the property of J.W. Wartick (apart from citations, which are the property of their respective owners, and works of art as credited) and should not be reproduced in part or in whole without the expressed consent of the author. All content on this site is the property of J.W. Wartick and is made available for individual and personal usage. If you cite from these documents, whether for personal or professional purposes, please give appropriate citation with both the name of the author (J.W. Wartick) and a link to the original URL. If you’d like to repost a post, you may do so, provided you show less than half of the original post on your own site and link to the original post for the rest. You must also appropriately cite the post as noted above. This blog is protected by Creative Commons licensing. By viewing any part of this site, you are agreeing to this usage policy.
And the woman in the analogy was one of two people who created the violinist…
Yes, there are any number of difficulties with the argument. It is one of those which sounds slightly convincing at first, but once you examine it it really falls apart.
The problem with the “Violinist” argument is that it commits a false analogy fallacy. To more accurately portray the situation, it is the mother of the unborn child who has “kidnapped the violinist”, since the true reason the “violinist” is in this predicament is because of the actions of the mother.
The only way this argument by analogy could possibly work is if the pregnancy in question is due to rape. Otherwise, this argument is simply a failure of logic.
Yes, I think that is another problem with the analogy. There are a rather large number of difficulties with it, and I think we need to confront the argument head-on when we see it brought up.